{"title":"Jazz","description":"","products":[{"product_id":"pre-order-charles-lloyd-flowering-180-gram","title":"Pre-Order: Charles Lloyd - Flowering [180 Gram]","description":"\u003cp\u003eLimited 180gm vinyl LP pressing. 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The group presents a wide range of contrasting numbers, both eastern and western, which reflect the LP's title - something totally new and innovative. In the first few titles, traditional standard numbers come over rather enigmatically while supporting original and rhythmic compactness, but this soon gives over to tactically well-formed instrumentation and lengthy solo interludes. The all-embracing motto 'blues' is taken up by the band in Nat Adderley's 'Work Song' at the very latest, with mind-expanding ways of playing and varying sounds. Catapulted by Mike Bloomfield's artistry on the guitar into the world of rock, all the musicians celebrate these well-known jazz standards and each man contributes his personal skill into forging a perfectly balanced team effort. The title number 'East-West' ultimately demolishes the world of the blues. In the tonal mixture of confidently prepared rock ingredients and borrowings from Indian music (raga rock), we have an amalgamation of rock, blues, jazz and oriental melodies which result in an emotional, unheard-of sound that is well worth the hearing.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalkin' Blues\u003c\/li\u003e\n\u003cli\u003eGet Out Of My Life\u003c\/li\u003e\n\u003cli\u003eWoman\u003c\/li\u003e\n\u003cli\u003eI Got A Mind To Give Up Living\u003c\/li\u003e\n\u003cli\u003eAll These Blues\u003c\/li\u003e\n\u003cli\u003eWork Song\u003c\/li\u003e\n\u003cli\u003eMary\u003c\/li\u003e\n\u003cli\u003eMary\u003c\/li\u003e\n\u003cli\u003eTwo Trains Running 1\u003c\/li\u003e\n\u003cli\u003eNever Say No 1\u003c\/li\u003e\n\u003cli\u003eEast-West\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019716040\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368488743153,"sku":"4260019716040","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3867371-2623424.jpg?v=1782976835"},{"product_id":"pre-order-miles-davis-miles-in-berlin-lp","title":"Pre-Order: Miles Davis - Miles In Berlin [LP]","description":"\u003cp\u003eIt's 1964 and the first Berlin Jazz Festival is about to reach it's absolute peak: the final concert on the night of Friday, 25th September by Miles Davis. And the European subsidiary of Columbia Records, CBS, couldn't wait to release this legendary event on LP. The new quintet, for the first time with Wayne Shorter on the tenor sax (and not yet as composer), thrilled and roused the audience in the Philharmonie from the first minute to the very end. The classics \"Miles (tones)\", \"So What\" and \"Walkin'\" were performed at an astonishingly fast pace, the ballads were tender and dreamy. 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How strange when one considers the usual large output of Miles and his ensembles for Columbia Records in the Sixties.The bass player Ron Carter was best suited for the complicated rhythm part and remained Miles's 'number one' in a quintet which gave a new interpretation to compositions by Wayne Shorter and jazz hits such as \"\"Freedom Jazz Dance\"\" by Eddie Harris and Jimmy Heath's \"\"Gingerbread Boy\"\".Every second of the nine-minute-long \"\"Footprints\"\" by Shorter is an absolute highlight, while the drumming of the young Tony Williams in \"\"Freedom Jazz Dance\"\" is full of vitality, with a quick pulse, and even described as -threatening® in the liner notes. This music is neither 'new stream' nor 'old guard' but good modern jazz according to Anthony Tuttle. That's exactly what \"\"Miles Smiles\"\" was upon it's release 40 years ago - and that's what it is to this day! And that Miles Davis smiled for once thanks to the great musical relationship between the five individualists is certainly no mere rumour..\"\" Recording: October 1966 at Columbia Records-Studios, New York, by Frank LaicoProduction: Teo Macero.\"\" \"\"Miles Smiles\"\" - Miles Davis (tr); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (dr).\"\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOrbits\u003c\/li\u003e\n\u003cli\u003eCircle\u003c\/li\u003e\n\u003cli\u003eFootprints\u003c\/li\u003e\n\u003cli\u003eDolores\u003c\/li\u003e\n\u003cli\u003eFreedom Jazz Dance\u003c\/li\u003e\n\u003cli\u003eGinger Bread Boy\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019713292\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368488808689,"sku":"4260019713292","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2292969.jpg?v=1782976834"},{"product_id":"pre-order-ry-cooder-jazz-180-gram","title":"Pre-Order: Ry Cooder - Jazz [180 Gram]","description":"\u003cp\u003eLimited 180gm vinyl LP pressing. 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Between 1968 and 1973 he was first choice as a studio singer for Max Roach, Duke Pearson, Horace Silver, Gary Bartz and Stanley Clarke, to mention but a few. His warm and engaging baritone voice easily crossed the bridge from conventional blues and gospel to a pugnacious, politicising style of soul - Andy Bey was 'spiritual' in every sense of the word. \"\"Experience And Judgment\"\", his debut album under his own name, was recorded in New York in 1973 and quickly became a cult album. Bey delivers twelve songs in single length, which are full of relaxed, funky grooves, soulful and electrifying, and quite lacking in gimmickry - in many of them a blues number is lurking in the background as a basic idea. His most important colleagues are Wilbur Bascomb, who let's his electric slap bass really thump out, and Bill Fischer who joins in on an electric piano, synthesizer and various other keyboards and really sets off a little fusion firework display. The most powerful numbers come from Andy Bey himself, such as \"\"Experience\"\", \"\"Judgment\"\", \"\"Celestial Blues\"\", \"\"Tune Up\"\" and \"\"Being Uptight\"\" - often powering forwards with a vengeance. Bill Fischer - at that time Artistic Director at Atlantic Records - added a few soul ballads to balance out the LP. This album inspired numerous jazz singers, including Gregory Porter. Jamie Cullum says: \"\"What I love about Andy Bey is that he creates an atmosphere. As soon as he opens his mouth, you're transported to another place. \"\"This Speakers Corner reissue LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http:\/\/www. Pure-analogue. #com. All royalties and mechanical rights have been paid. Recording: July and September 1973 at Regent Sound Studios, New York, by Bob LiftinProduction: William S. 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Is there any better proof that the composer and arranger Charlie Mingus was ahead of his time? As a double bassist he was rather less virtuosic than his fellow musicians - and not just on these recordings. However, these five numbers earned every single star of the five they were awarded. They illustrate his masterly handling of Mexican folk music and his skill in integrating it into his jazz. The small ensemble of Clarence Shaw, whom Mingus described as a super-improviser on the trumpet, Jimmy Knepper, a technical ace on the trombone, the legendary tenor saxophone player Shafi Hadi, and his longstanding friend Dannie Richmond on the drums all earn the very highest recognition, even though the sextet of 1963\/64 once more enhanced their creativity in later years.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDizzy Moods\u003c\/li\u003e\n\u003cli\u003eYsabel's Table Dance\u003c\/li\u003e\n\u003cli\u003eTijuana Gift Shop\u003c\/li\u003e\n\u003cli\u003eLos Mariachis (The Street Musicians)\u003c\/li\u003e\n\u003cli\u003eFlamingo\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019714480\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489300209,"sku":"4260019714480","price":57.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2348753.jpg?v=1782976838"},{"product_id":"pre-order-charles-minus-clown-180-gram","title":"Pre-Order: Charles Minus - Clown [180 Gram]","description":"\u003cp\u003eWho hasn't got an ancient, worn-out copy of \"\"The Clown\"\" on his shelf, with a tatty cover and torn inner sleeve? Or maybe one of the rare re-releases made of cheap, thin vinyl with dreadful graphic art? And if you haven't heard this gem for a long time, despite the flood of Mingus LPs, CDs and downloads on the market, then you really should seize this opportunity to do so. \"\"The Clown\"\" was, and still is, an absolute must-have for every jazz collector. 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He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also - as in this case - in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next. On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. \"Juba Juba\" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef's plaintive flute and background voices singing »freedom, freedom, freedom«. After such a gloomy beginning the classical blues number \"Like It Is\" comes over like a breath of fresh air, with it's superb string quartet as the foundation. 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And weren't \"\"Blue Monk\"\", \"\"Epistrophy\"\" and \"\"Bemsha Swing\"\" old favorites too - often played and often heard? Happy memories, then, for those Japanese fans who were in Tokyo's Sankei Hall on 21 May 1963! And happy listeners in 2016 too, when they add this LP to their collection. 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Ornette Coleman is doing the only really new thing in jazz. ® he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album - \"\"The Shape Of Jazz To Come\"\". After the rather worn-out hard bop routine of the past years, this music was like a breath of fresh air. The fast numbers (\"\"Eventuality\"\", \"\"Chronology\"\") remind one of wildly hyped-up bebop. Other numbers (\"\"Congeniality\"\", \"\"Focus On Sanity\"\") juggle with catchy, almost folk like short motifs. This album contains two of Coleman's most beautiful compositions: \"\"Peace\"\" and \"\"Lonely Woman\"\", which was later given lyrics and often heard in it's vocal version. The Mulligan-Baker Quartet provided the model for the pianoless quartet - and when the band swings along once in a while with a moderato tempo, it is truly reminiscent of cool jazz. Be that as it may, the two wind instrumentalists just love the frenetic 'cry' and the intentionally 'imprecise' interplay. Clearly defined stanzas or traditional harmonic forms were not for them. The jazz musicologist Peter N. Wilson wrote: \"\"A record, which is not unjustifiably so entitled® about this LP which was given 5 stars by the magazine Rolling Stone. \"\"This Speakers Corner reissue LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http:\/\/www. Pure-analogue. #com. All royalties and mechanical rights have been paid. 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It is unmistakable, still groovy, full of soul, humorous, stirring. And \"\"Cold Duck Time\"\" is no way inferior: Eddie Harris blows for all he is worth. Everyone can hear that Benny Bailey was challenged by the unknown themes, but this maestro still managed to capture the audience's ear and attention. \"\"Swiss Movement\"\" is, and will remain forever, a highlight among all the jazz LPs that have been recorded live and it shouldn't be missing from any collector's shelf.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCompared to What\u003c\/li\u003e\n\u003cli\u003eCold Duck Time\u003c\/li\u003e\n\u003cli\u003eKathleen's Theme\u003c\/li\u003e\n\u003cli\u003eYou Got It in Your Soulness\u003c\/li\u003e\n\u003cli\u003eThe Generation Gap\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019715500\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489791729,"sku":"4260019715500","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3759638.jpg?v=1782976844"},{"product_id":"pre-order-herbie-hancock-crossings-180-gram","title":"Pre-Order: Herbie Hancock - Crossings [180 Gram]","description":"\u003cp\u003eThis 1972 release was the second album in Herbie Hancock's Mwandishi period. 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Nothing is routine, perhaps because the drummer Connie Kay had replaced Kenny Clark just one year previously. But maybe too because Milt Jackson's blues influence inspired John Lewis perceptibly to forget all about discipline. All seven numbers are true gems. But if you want a special hint, just listen to \"Bluesology\". Well, perhaps the present author is too much of a Milt Jackson fan. 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Varying from number to number, they range from a classical, bluesy sound, to late-Romantic fervour, right up to avantgarde aggression. 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Producer: Joe Reisman. Reissue producer: Rob Santos. Recorded at RCA Victor's Music Center Of The World, Hollywood, California. Originally released on RCA (2795). Includes reissue liner notes by Michael Hill. ?The film director Blake Edwards brought into existence what is probably the best opening sequence to his comic crime film when he commissioned a young enterprising company to produce an animated Pink Panther cartoon film. The creative team came up with the idea of giving the cold, glittering diamond the guise of a cool, pink panther, which leads a bungling detective on a merry dance to the slinky sound of the Panther theme. - Mancini would not be Mancini if he did not bathe the film location - the skiing resort Cortina d'Ampezzo -in highly varied musical colours and genres. His well-known love for dance music finds itself in the samba (\"It Had Better Be Tonight\"), the shuffle (\"Champagne And Quail\"), and the cha-cha (\"Something For Sellers\"). But also the ballad, sung by a muted trumpet and saxophone (\"Royal Blue\"), or the simple combination of keyboard and strings (\"Piano And Strings\") are all woven into the story. One of the most memorable and delightful sounds is that of the accordion, whose melodies evoke an atmosphere that is filled with the Bohème, Paris and the sound of the musette. This music is never gaudy, but subtle, just like a panther padding quietly along. And if your appetite is now whetted for more, there is an extra portion of Mancini to be found in \"Breakfast At Tiffany's\" (RCA LSP 2362). 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The music too burns right from the very first note to the last as though it were licked by the flames of hell fire. The wealth of ideas, sheer vitality and supreme soloistic virtuosity of the five top-notch musicians from four different countries is absolutely first class. In addition there is their truly dreamlike interplay; one could say they were born and grew up with the same 'spirit'. \"\"Meeting Of The Spirit\"\", \"\"The Dance Of Maya\"\" and \"\"You Know You Know\"\" are the highlights of this first Mahavishnu Orchestra.Aspiration - struggle, hope and desire - is seen as an inner mounting flame which takes man towards 'divine perfection'. Well, opinions differ of course. But what is certain is that this music from 1971 is still amazingly fresh and creative even 36 years later - and luckily it is available once again in the form of a vinyl disc..\"\" Recording: August 1971 in New York City by Don PuluseProduction: John McLaughlin.\"\" \"\"The Inner Mounting Flame\"\" - John McLaughlin (g); Jan Hammer (p); Jerry Goodman (v); Rick Laird (b); Billy Cobham (dr).\"\" standard sleeve, insert\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMeeting of the Spirits\u003c\/li\u003e\n\u003cli\u003eDawn\u003c\/li\u003e\n\u003cli\u003eThe Noonward Race\u003c\/li\u003e\n\u003cli\u003eA Lotus on Irish Streams\u003c\/li\u003e\n\u003cli\u003eVital Transformation\u003c\/li\u003e\n\u003cli\u003eThe Dance of Maya\u003c\/li\u003e\n\u003cli\u003eYou Know You Know\u003c\/li\u003e\n\u003cli\u003eAwakening\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019713285\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368490742001,"sku":"4260019713285","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2293039.jpg?v=1782976853"},{"product_id":"pre-order-herbie-hancock-flood-lp","title":"Pre-Order: Herbie Hancock - Flood [LP]","description":"\u003cp\u003e(2-LP set) In the summer of 1975, the Herbie Hancock Sextet made a hugely successful tour of Japan, which made people aware of a 'new' Hancock. 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This album confirms that Zawinul was the primary creative generator of Weather Report, the connecting link between the band and Miles Davis's keyboard-laden experiments on \"\"In A Silent Way\"\"; indeed, the composition in it's complex orchestral form as composed by Zawinul is newly arranged on this LP and creates it's very own vision of this brilliant work. The two keyboarders, with the formidable Herbie Hancock alongside Zawinul, constitute the fundament for this poised and exploratory album and embellish their work with the galactic sound effects created by Echoplex and ring modulator. The third founder of Weather Report, Miroslav Vitous, is to be heard on the bass, and the hard bop of the trumpeter Woods Shaw proves that he is an absolute maestro when it comes to jazz rock. Earl Turbinton provides for the Wayne Shorter-like rays of light on the soprano saxophone, which Shorter himself then expresses on \"\"Double Image\"\". This work is the direct connection between Davis's earlier electric recordings and Weather Report and constitutes the basis for almost all subsequent eclectic contemporary jazz projects: Miles Davis's \"\"In A Silent Way\"\", the Weather Report album of the same name and this LP are an inseparable series of recordings, which document the origin of one of the most important and influential music trends of the 20th century. This Speakers Corner reissue LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http:\/\/www. Pure-analogue. #com. All royalties and mechanical rights have been paid. 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The recording in the RCA Victor Studio took place over several days in 1962, and this is why different bass players and percussionists are heard - Wendell Marshall, Joe Benjamin and John Beal each take their turn on the bass, while Connie Kay and Mel Lewis change places behind the drum set. These musicians form a brilliant team, and that there is no piano is both deliberate and inevitable for Gerry Mulligan recordings of the day. By the way, the second saxophonist in \"The Way You Look Tonight\" is Paul Desmond - by means of over-dubbing in the middle of the stereo recording!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll the Things You Are\u003c\/li\u003e\n\u003cli\u003eStardust\u003c\/li\u003e\n\u003cli\u003eTwo of a Mind\u003c\/li\u003e\n\u003cli\u003eBlight of the Fumble Bee\u003c\/li\u003e\n\u003cli\u003eThe Way You Look Tonight\u003c\/li\u003e\n\u003cli\u003eOut of Nowhere\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019714527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368491004145,"sku":"4260019714527","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2506559.jpg?v=1782976856"},{"product_id":"pre-order-dave-brubeck-at-carnegie-hall-lp","title":"Pre-Order: Dave Brubeck - At Carnegie Hall [LP]","description":"\u003cp\u003e(2-LP set) Many critics regard Dave Brubeck's Carnegie Hall concert from February 1963 as his greatest ever live appearance. But who can really determine that? For no one - apart from Brubeck himself - would have seen and heard his conservatively estimated 12,000 concerts. Although the twelve titles had already been released on LPs that had been recorded in the studio, these records were certainly not known to all those in the audience. In between the numbers on each LP, Brubeck made little 'advertising spots' in short comments, but with such charm and wit that one really cannot be angry with him.The concert programme begins with \"\"St. Louis Blues\"\" and ends with \"\"Take Five\"\". Luckily, the solos are distributed among all the musicians, so that Paul Desmond and Joe Morello - whose prowess on this evening can only be called 'amazingly good' - justifiably received enthusiastic applause from both the audience and us alike. \"\"Castilian Drums\"\" demonstrates Morello's wealth of ideas and his grandiose feeling for rhythm; though short, Paul Desmond's solos (\"\"Southern Scene\"\" is a good example!) are compelling, highly melodic, lyrical and possess a unique tone - as such they are immediately recognisable.How fortunate that the twelve brilliantly improvised numbers are now available once again on vinyl, having been recorded live at the legendary Carnegie Hall 60 years ago..\"\" Recording: February 1963 Carnegie Hall, New YorkProduction: Teo Macero.\"\" \"\"At Carnegie Hall\"\" - Dave Brubeck (p); Paul Desmond (as); Eugene Wright (b); Joe Morello (dr).\"\" gatefold sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSt. Louis Blues\u003c\/li\u003e\n\u003cli\u003eBossa Nova U.S.A\u003c\/li\u003e\n\u003cli\u003eFor All We Know\u003c\/li\u003e\n\u003cli\u003ePennies from Heaven\u003c\/li\u003e\n\u003cli\u003eSouthern Scene (Briar Bush)\u003c\/li\u003e\n\u003cli\u003eThree to Get Ready\u003c\/li\u003e\n\u003cli\u003eEleven-Four\u003c\/li\u003e\n\u003cli\u003eKing for a Day\u003c\/li\u003e\n\u003cli\u003eCastilian Drums (Parts I and II)\u003c\/li\u003e\n\u003cli\u003eIt's a Raggy Waltz\u003c\/li\u003e\n\u003cli\u003eBlue Rondo a la Turk\u003c\/li\u003e\n\u003cli\u003eTake Five\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019714299\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368491102449,"sku":"4260019714299","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2292960.jpg?v=1782976858"},{"product_id":"pre-order-oscar-peterson-exclusively-for-my-friends-the-lost-tapes-lp","title":"Pre-Order: Oscar Peterson - Exclusively For My Friends: The Lost Tapes [LP]","description":"\u003cp\u003eTears of sorrow mingled with tears of joy as Oscar Peterson fans realized that the keyboard genius who had just recovered his health was still capable of amazing them all, although he had obviously forfeited some of his past vitality. This may well have induced MPS - the label with whom Oscar Petersen himself claimed to have made his best recordings - to search their archives for lost tapes from Peterson's heydey. And lo and behold, a number of previously unreleased recordings were discovered which had been taped \"exclusively for my friends\" in the private studio in Villingen in 1965-1968.The electric atmosphere of these live sessions before a mere handful of listeners proves once again just how at home the musicians felt in the Black Forest villa - as is borne out by the fact that Peterson's usual trio formation alternated with his stand-in musicians of Sam Jones on the bass and Bobby Durham on the drums.And now, exclusively for all jazz fans, these amazing tracks are available for the very first time on an LP filled with glorious sound. Whether long-time collector or jazz newcomer, one thing is certain: this album belongs in every collection!.\" Recording: May 1965, November 1967 and October 1968 at H.G. Brunner-Schwer's private studio's in Villingen\/ Germany by H.-G. Brunner-Schwer \/ Production: H.-G. Brunner-Schwer.\" \"Exclusively for my Friends, The Lost Tapes\" - Oscar Peterson (p) \/ Ray Brown, Sam Jones (b) \/ Ed Thigpen, Bobby Durham (dr).\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGravy Waltz\u003c\/li\u003e\n\u003cli\u003eSqueaky's Blues\u003c\/li\u003e\n\u003cli\u003eLet's Fall in Love\u003c\/li\u003e\n\u003cli\u003eStella By Starlight\u003c\/li\u003e\n\u003cli\u003eMoanin'\u003c\/li\u003e\n\u003cli\u003ePut on a Happy Face\u003c\/li\u003e\n\u003cli\u003eI Will Wait for You\u003c\/li\u003e\n\u003cli\u003eNever Say Yes\u003c\/li\u003e\n\u003cli\u003eL'impossible\u003c\/li\u003e\n\u003cli\u003eMy Romance\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019710642\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368491167985,"sku":"4260019710642","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2293069.jpg?v=1782976859"},{"product_id":"pre-order-thelonious-monk-its-monks-time-lp","title":"Pre-Order: Thelonious Monk - It's Monk's Time [LP]","description":"\u003cp\u003eWith it's three compositions by Thelonious Monk, one might call this LP from 1964 \"3 Standards and 3 Monks\". The 'High Priest' of bebop had reached a further pinnacle in his career and performed with his fantastic, skilful and well-rehearsed quartet at numerous festivals and concerts. As if in a dream, the musicians penetrate the apparently simple yet rhythmically complicated themes, interrupted again and again by Monk's solo escapades on the piano. On the stage, Monk often stood up and jigged around the piano like a lumbering dancing bear, with one of his distinctive hats on his head; he plonks down on the piano stool after the Charlie Rouse solo; his enormous feet tap back and forth to the beat; he constantly fiddles with the ring on his finger; and he creates the most wonderful improvisations ever heard with his 'false' fingering.Calling all jazz fans: Listen to Thelonious Monk, and you will have a ball - most especially if you put this super disc with the promising title \"It's Monks Time\" on your turntable!.\" Recording: January - March 1964Production: Teo Macero.\" \"It's Monk's Time\" - Thelonious Monk (p); Charlie Rouse (ts); Butch Warren (b); Ben Riley (dr).\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLulu's Back in Town\u003c\/li\u003e\n\u003cli\u003eMemories of You\u003c\/li\u003e\n\u003cli\u003eStuffy Turkey\u003c\/li\u003e\n\u003cli\u003eBrake's Sake\u003c\/li\u003e\n\u003cli\u003eNice Work If You Can Get It\u003c\/li\u003e\n\u003cli\u003eShuffle Boil\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019714152\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368491299057,"sku":"4260019714152","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2293055.jpg?v=1782976859"},{"product_id":"pre-order-giraffe-towering-inferno-with-bongo-drums-red-colored-vinyl","title":"Pre-Order: Giraffe - Towering Inferno With Bongo Drums - Red [Colored Vinyl]","description":"\u003cp\u003eGiraffe is the new collaboration from Dave Harrington (Darkside), Robert Walter (The Greyboy Allstars), Spencer Zahn, and Kosta Galanopoulos (Rio Kosta). Their debut album, The Towering Inferno With Bongo Drums, channels spacey psychedelia, jazz-informed interplay, and open-ended improvisation into a fluid, exploratory listen. Recorded in a single day at 64 Sound in Los Angeles, the album captures four accomplished musicians locking into an instinctive groove.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDancer with No Bones Under the Sun\u003c\/li\u003e\n\u003cli\u003eCatastrophe Music\u003c\/li\u003e\n\u003cli\u003eHey! Cool It, Everybody\u003c\/li\u003e\n\u003cli\u003eBongo Zoo\u003c\/li\u003e\n\u003cli\u003eRoom of Forgotten Names\u003c\/li\u003e\n\u003cli\u003eBoogie in the House of Secrets (Part I)\u003c\/li\u003e\n\u003cli\u003eOffscreen Voices\u003c\/li\u003e\n\u003cli\u003eGate of Crimson Silence\u003c\/li\u003e\n\u003cli\u003eJumpcut Colors\u003c\/li\u003e\n\u003cli\u003eBoogie in the House of Secrets (Part II)\u003c\/li\u003e\n\u003cli\u003eThunder Rolls\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 711574984213\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Org Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.21.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Org Music","offers":[{"title":"Default Title","offer_id":48368491888881,"sku":"711574984213","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/4523100-3623639.jpg?v=1782976864"},{"product_id":"pre-order-herbie-hancock-man-child-lp","title":"Pre-Order: Herbie Hancock - Man-Child [LP]","description":"\u003cp\u003e2013 33 rpm standard sleeve.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHang Up Your Hang Ups\u003c\/li\u003e\n\u003cli\u003eSun Touch\u003c\/li\u003e\n\u003cli\u003eThe Traitor\u003c\/li\u003e\n\u003cli\u003eBubbles\u003c\/li\u003e\n\u003cli\u003eSteppin' in It\u003c\/li\u003e\n\u003cli\u003eHeartbeat\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019714305\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368491987185,"sku":"4260019714305","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2242285.jpg?v=1782976865"},{"product_id":"pre-order-thelonious-monk-big-band-quartet-in-concert-vinyl","title":"Pre-Order: Thelonious Monk - Big Band \u0026 Quartet In Concert [Vinyl]","description":"\u003cp\u003e?Thelonious Monk could walk from his flat to New York's famous Philharmonic Hall on the corner of 64th Street and Broadway when he made his very first appearance there with his Big Band in December 1963. And the other musicians could get there on the underground: Phil Woods, Steve Lacy, Thad Jones - all of them were members of Monk's closest circle of collaborators. It is no wonder then that the well-known themes were highly agreeable and harmonious. \"\"I Mean You\"\", \"\"Four In One\"\" and \"\"Epistrophy\"\" resounded through the auditorium, the audience was thrilled, Thelonious laughed and danced and a short while later fans could listen to parts of the concert on a recording released by Columbia Records. In a break for a smoke, Monk sat himself down at the piano and played \"\"Darkness On The Delta\"\" - nocturnal atmosphere pure. Does it bear the patina of times long past? Absolutely not! Thelonious Monk is as red-hot as he ever was.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Mean You\u003c\/li\u003e\n\u003cli\u003eEvidence\u003c\/li\u003e\n\u003cli\u003e(When It's) Darkness on the Delta\u003c\/li\u003e\n\u003cli\u003eOska T\u003c\/li\u003e\n\u003cli\u003ePlayed Twice\u003c\/li\u003e\n\u003cli\u003eFour in One\u003c\/li\u003e\n\u003cli\u003eEpistrophy\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019715067\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368492183793,"sku":"4260019715067","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3337611.jpg?v=1782976866"},{"product_id":"pre-order-paul-desmond-take-ten-lp","title":"Pre-Order: Paul Desmond - Take Ten [LP]","description":"\u003cp\u003eNo, not \"Take Five\" but \"Take Ten\" is the title of this LP and it's very first number. Certainly this should be taken as a hint that it was not Dave Brubeck but Paul Desmond who was the composer of this 'million seller'. At the recording session, the guitarist Jim Hall was more than a substitute for the piano - he contributed to the quartet a whole new sound colouring which was tinged with the influences of bossa nova.The numbers are all easy-going and airy, the melodic lines and sound are filled with transparency. All the while one is curious as to the clear part-writing, and the wealth of ideas emanating from the soloists. This does not only apply to the old favourites \"Alone Together\", \"Nancy\" and \"The One I Love\", all three of them arrangements made ad hoc in the studio and which demonstrate how familiar the musicians were with one another, how they listened to one another, answered, and kept the dialogue flowing. The atmosphere is relaxed, and this conveys itself to the listener even after almost half a century.RCA's recording and reproduction technology was ahead of it's time. The music of these South-American-sounding gems comes out of the loudspeakers with brilliance, clarity and - at last - without the frustrating crackle of a second-hand LP..\" Recording: 1963 in Webster Hall, New York, by Ray HallProduction: George Avakian.\" \"Take Ten\" - Paul Desmond (as); Jim Hall (g); Gene Cherico, Gene Wright (b); Connie Kay (dr).\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTake Ten\u003c\/li\u003e\n\u003cli\u003eEl Prince\u003c\/li\u003e\n\u003cli\u003eAlone Together\u003c\/li\u003e\n\u003cli\u003eEmbarcadero\u003c\/li\u003e\n\u003cli\u003eTheme from \"\"Black Orpheus\"\"\u003c\/li\u003e\n\u003cli\u003eNancy\u003c\/li\u003e\n\u003cli\u003eSamba de Orfeu\u003c\/li\u003e\n\u003cli\u003eThe One I Love (Belongs to Somebody Else)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019712424\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368492314865,"sku":"4260019712424","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2292972.jpg?v=1782976867"},{"product_id":"pre-order-max-roach-trio-max-roach-trio-featuring-the-legendary-hasaan-lp","title":"Pre-Order: Max Roach Trio - Max Roach Trio Featuring the Legendary Hasaan [LP]","description":"\u003cp\u003eHardly any other musician has released so little as Hasaan Ibn Ali, born William Henry Langford Jr., in 1931, who died in 1980. Just seven titles in all are his complete output, all of which he composed himself, all of them on the present Atlantic LP, and all recorded in December 1964. The saxophonist Odean Pope, who often practised with him, talks of a second recording session in 1965 for Atlantic, but the recordings were never released because Hasaan was sent to jail shortly afterwards; rumour has it that the tapes were destroyed in a fire - and it might well be that recordings with John Coltrane still exist somewhere or other. Until then, one should enjoy the Max Roach Trio with Art Davis on the bass to the full. We have here a recording that will astound and fascinate your ears with it's originality. A first impression conjures up reminiscences of Cecil Taylor and Herbie Nichols, while Hasaan himself talks of the pianist Elmo Hope as the man who brought him closer to the 'mystery of music'. When asked how the recording session with maestro Max Roach went, Hasaan said: -They scared me to death. According to Odean Pope, Hasaan was not an easy person to get on with, and he was convinced of his talent to the point of arrogance. But despite this - or perhaps because of this - one listens spellbound to the 40 minutes on this LP, a legacy and never-fulfilled promise of an extremely talented man. We are indebted to Max Roach, who persuaded the bosses of Atlantic Records to make these recordings. For many, many years they had vanished from the record market, but fortunately they are now available as an audiophile re-release to be listened to and admired. Recording: December 1964 in New York by Tom Dowd Production: Arif Mardin\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThree-Four Vs. 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Of particular note is the melancholy \"\"Two Lonely People\"\", Evans's musical interpretation of a poem by Carol Hall. \"\"Sugar Plum\"\" and \"\"T.T.T.\"\" were to remain in his repertoire right up until his very last recordings. Unusual but very commendable because it begins with an ad hoc introductory improvisation is the electric piano version of Evans's most well-known composition - \"\"Waltz For Debby\"\".The excellent technical facilities at the Columbia Studio were used to the full by Bill Evans, even though they were only recording a small ensemble. And that is why the seven numbers sound far better than most of the trio's live recordings. And as Bill Evans once said, it was with this trio that he could fulfill his musical ambitions.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFunkallero\u003c\/li\u003e\n\u003cli\u003eThe Two Lonely People\u003c\/li\u003e\n\u003cli\u003eSugar Plum\u003c\/li\u003e\n\u003cli\u003eWaltz for Debby\u003c\/li\u003e\n\u003cli\u003eT.T.T. 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Although the hippy flower-power movement tended towards a rather different musical genre at the end of the Sixties, they were blown away by this music. The four artists attracted masses of people and ensured that every seat was taken and all standing room filled at jazz festivals such as Newport, Molde (Norway), Antibes (France) and the Fillmore East and West. 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Mingus at Antibes was originally issued by BYG Records under the title Charles Mingus Live With Eric Dolphy in Japan in 1974. It was recorded at a live 1960 performance at the Jazz à Juan festival at Juan-les-Pins by jazz bassist and composer Charles Mingus; and was re-released by Atlantic Records in more complete form as a double album with the title Mingus In Antibes in the United States in 1976. 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The Speakers Corner reissue of The Miles Davis Quintet's 'Round About Midnight is a highly regarded, all-analog audiophile pressing. 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But it also presents an enormous challenge, because on such an evening 'good' isn't good enough. The artist is not merely expected to perform to his or her usual high standard - the evening must be exceptional. Harry Belafonte, the charismatic and highly experienced performer, certainly managed to fulfill such expectations, as is testified to by the present double album, which has retained it's place as a bestseller at the top of the charts over many years.This performance contains three acts, as it were: Afro-American moods, Caribbean songs and excursions into music of the world. Belafonte is in top form and celebrates an exciting, sparkling festival of song, including spontaneous comic interludes, which arise from direct interaction with his enthralled and enthusiastic audience. He is brilliantly supported by Bob Corman and his 47-man orchestra, an ensemble which is reduced to a small combo when the maestro raises his husky voice. It goes without saying that all the favorites are there such as \"Jamaica Farewell\", \"Day-O\" and \"Mama Look A Boo Boo\", making this Carnegie Hall event one of the most mesmerizing live performances of all time, which captures the essence of the performer in his prime (All Music Guide). 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That was precisely the case when he entered the famous Rudy van Gelder Studio in Hackensack, New Jersey, USA in 1956. He was free to choose his sidemen, and money was no object, which is why various formations gathered in the studio for the three recording sessions. With Lucky Thompson on the tenor sax (unfortunately for only three numbers), Barry Galbraith, Barney Kessel or Skeeter Best on the guitar, Oscar Pettiford or Percy Heath on the bass, together with Kenny Clarke or Lawrence Marable on the drums, he set off on a journey through the history of jazz. John Lewis stayed unobtrusively in the background and offered 'Bags' (as Milt was known) plenty of opportunities to glory in soloistic freedom.The themes were soon found: the musical composers Cole Porter, Irving Berlin and Jerome Kern, as well as a work from The Duke Ellington Songbook, formed a basis upon which all the musicians could perform with confidence. Three compositions by Milt Jackson himself proved that he too was full of imagination. 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Having learned to walk upright, having achieved alleged superiority over animals, and having caused devastation, the destruction of mankind's natural resources follows. The composer Mingus gives his fellow mankind\/musicians the widest possible freedom, which all exploit to the full both in interplay and in the solos. Bedded down in noise and sound collages, the piece is the result of an experimental workshop. The Gershwin classic \"A Foggy Day\" takes on the role of intermediary between the jazz styles of the 1930s and free jazz. And in \"Profile Of Jackie\" and \"Love Chant\" the arranger calls for his soloists to go to the very limits of their artistic improvisation. 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And the change from purely chordal playing and single notes from Jim Hall is more airy and more inspiring than the meaty piano clusters of his former boss. 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Those who were not lucky to get a ticket climbed the surrounding trees to see the Calypso man from a distance at least. Others were waiting, recording equipment at the ready, namely the sound engineers from RCA, and in the following year the eagerly anticipated album was released. Some of the songs, such as the giddy-paced \"\"Zombie Jamboree\"\", \"\"Look Over Yonder\"\" and the delightfully schmaltzy \"\"Try To Remember\"\", had only been released as studio recordings. The majority of the other numbers were brand new and were now heard for the very first time in the exciting live atmosphere, something which comes over authentically in this release. Here a whoop of laughter after a witty remark, there the sound of wooden boards being walked on and then absolute silence from the spellbound audience - you only get that with a live performance. For Belafonte fans this recording is certainly the crowning glory of an artistically fruitful phase from 1959 until 1963. 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[LP]","description":"\u003cp\u003eOrnette Coleman, who died in June 2015 from cardiac arrest, must be counted as one of the most influential musicians in the jazz genre. His importance does not only lie in his ground-breaking recordings in the late Fifties and early Sixties, but lies more significantly in the educational effect of his work - in the fact that he always went beyond himself to the very end. Just a little more than a month after his ground-breaking release \"\"Free Jazz\"\", Coleman recorded the present album, in which he perhaps distanced himself somewhat from the conceptual idea, but still guided his quartet to ever more richness of detail and creativity. \"\"Ornette!\"\" was the first recording with bass-player Scott LaFaro and Coleman, and the difference in approach between LaFaro and Charlie Haden is noticeable from the very first note of \"\"W. R. U. \"\". His playing is more direct and agile, and one can hear how he drives Coleman and Don Cherry actively onwards and more aggressively than Haden's warm, languid phrasing. The tracks, with titles that are taken from the works of Sigmund Freud, are all gems and serve as a wonderful starting point for the musicians' improvisations. By now, Coleman felt himself comfortable in lengthy pieces, and neither he nor his fellow musicians had trouble in filling out time, never once lacking for new ideas. Ed Blackwell deserves a special mention - he shows himself here at his very best. \"\"Ornette!\"\" is a superb release and an absolute must for all fans of Coleman and creative, improvised music in general. This Speakers Corner reissue LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http:\/\/www. Pure-analogue. #com. All royalties and mechanical rights have been paid. 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