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Although it is a soul album through and through, one has the feeling that one is listening to an album from Reprise's stable of singers\/songwriters - including such artists as Randy Newman, Bonnie Raitt, Little Feat and Joni Mitchell - rather than what usually came out of New Orleans in the early Seventies. And also because \"\"Life, Love And Faith\"\" captures an eccentric genius who pursues his own idiosyncratic vision. It is a structured, multi-layered album, which does not show Toussaint in his purest form, but it is his only album that shows just how widely ranged and profound his many talents were. 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How strange when one considers the usual large output of Miles and his ensembles for Columbia Records in the Sixties.The bass player Ron Carter was best suited for the complicated rhythm part and remained Miles's 'number one' in a quintet which gave a new interpretation to compositions by Wayne Shorter and jazz hits such as \"\"Freedom Jazz Dance\"\" by Eddie Harris and Jimmy Heath's \"\"Gingerbread Boy\"\".Every second of the nine-minute-long \"\"Footprints\"\" by Shorter is an absolute highlight, while the drumming of the young Tony Williams in \"\"Freedom Jazz Dance\"\" is full of vitality, with a quick pulse, and even described as -threateningÂ® in the liner notes. This music is neither 'new stream' nor 'old guard' but good modern jazz according to Anthony Tuttle. That's exactly what \"\"Miles Smiles\"\" was upon it's release 40 years ago - and that's what it is to this day! 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Of greater importance than this posthumous entry into rock 'n' roll's hall of fame is the recognition during her lifetime of her explosive vocal style, which - so Vogue - -turned the whole history of singing upside down. Janis Joplin's discography is just as short and changeable as her life. After two LP releases with the standard 'cast' of rock musicians in the band Big Brother And The Holding Company, with whose excellent musical support she obtained her first recording contract with Columbia Records in 1968, the company provided her with a group augmented with organ and winds. Their intention was to broaden her vocal expression with blues and funk elements, which, however, her most loyal fans regarded as betrayal of the ideals of rock music. Rock fans in the Old World were less critical, especially since Joplin and her Kozmic Blues Band went on a two-month tour of Europe. For those Woodstock fans whose ears are still ringing with the band's full, meaty wind sound and Janis's bluesy soul singing, this album is an absolute must..\" Recording: June - August 1969 by Sy Mitchell, Jerry Hochman, and Alex KazanegrasProduction: Gabriel Mekler.\" \"I Got Dem Ol' Kozmic Blues Again Mama!\" - Janis Joplin (voc); Cornelius \"Snooky\" Flowers, Terry Clements (sax); Luis Gasca (tr); Richard Kermode, Gabriel Mekler (org); Sam Andrew (g); Brad Campbell (b); Maury Baker, Lonnie Castille (dr), a.o..\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTry\u003c\/li\u003e\n\u003cli\u003eMaybe\u003c\/li\u003e\n\u003cli\u003eOne Good Man\u003c\/li\u003e\n\u003cli\u003eAs Good As You've Been to This World\u003c\/li\u003e\n\u003cli\u003eTo Love Somebody\u003c\/li\u003e\n\u003cli\u003eKozmic Blues\u003c\/li\u003e\n\u003cli\u003eLittle Girl Blue\u003c\/li\u003e\n\u003cli\u003eWork Me, Lord\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019713087\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489136369,"sku":"4260019713087","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2293023.jpg?v=1782976837"},{"product_id":"pre-order-blue-oyster-cult-tyranny-mutation-180-gram","title":"Pre-Order: Blue Oyster Cult - Tyranny \u0026 Mutation [180 Gram]","description":"\u003cp\u003eAlthough the band offers a mix of slightly subdued, milder pieces, the opening number 'The Red \u0026amp; The Black' makes it fully clear that we are in for a dizzy roller-coaster ride here. 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Between 1968 and 1973 he was first choice as a studio singer for Max Roach, Duke Pearson, Horace Silver, Gary Bartz and Stanley Clarke, to mention but a few. His warm and engaging baritone voice easily crossed the bridge from conventional blues and gospel to a pugnacious, politicising style of soul - Andy Bey was 'spiritual' in every sense of the word. \"\"Experience And Judgment\"\", his debut album under his own name, was recorded in New York in 1973 and quickly became a cult album. Bey delivers twelve songs in single length, which are full of relaxed, funky grooves, soulful and electrifying, and quite lacking in gimmickry - in many of them a blues number is lurking in the background as a basic idea. His most important colleagues are Wilbur Bascomb, who let's his electric slap bass really thump out, and Bill Fischer who joins in on an electric piano, synthesizer and various other keyboards and really sets off a little fusion firework display. The most powerful numbers come from Andy Bey himself, such as \"\"Experience\"\", \"\"Judgment\"\", \"\"Celestial Blues\"\", \"\"Tune Up\"\" and \"\"Being Uptight\"\" - often powering forwards with a vengeance. Bill Fischer - at that time Artistic Director at Atlantic Records - added a few soul ballads to balance out the LP. This album inspired numerous jazz singers, including Gregory Porter. Jamie Cullum says: \"\"What I love about Andy Bey is that he creates an atmosphere. As soon as he opens his mouth, you're transported to another place. \"\"This Speakers Corner reissue LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http:\/\/www. Pure-analogue. #com. All royalties and mechanical rights have been paid. Recording: July and September 1973 at Regent Sound Studios, New York, by Bob LiftinProduction: William S. 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This was the only reason that so much basic repertoire, traditional blues numbers, black work songs and favorite white show melodies - all filled with a deep soul feeling - reached her fans. \"\"Emergency Ward!\"\" is no exception. First there is the explosive medley, recorded live, of George Harrison's \"\"My Sweet Lord\"\" and David Nelson's \"\"Today Is A Killer\"\". Accompanied by a small combo and a gospel choir, Nina Simone ignites an 18-minute blazing bonfire which loses none of it's spiritual fire for even a second.In contrast to the gentle \"\"Poppies\"\", extravagantly produced with strings, woodwinds and chorus, is the questioning \"\"Isn't It A Pity\"\", arranged for piano. Here, simple, throbbing harmonies are occasionally allowed to swell into clouds of chords, giving Nina Simone the opportunity to show off her highly diversified vocal timbre which, as so often, fades away into nothing like an unanswered question. 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Is he or isn't he the Chuck Berry or Sergeant Pepper of the Seventies, or is he deliberately building up an image of himself as an ultra-sensitive Frankenstein, who lived out his neuroses and drug trips in horrific sound? Some records are so unbelievably repulsive,Â® raged the magazine Rolling Stone, that one would best like to take physical revenge on the artists who commit such offences.The album \"\"Transformer\"\", however, can by no means be classified as a case of 'acoustic bodily harm'. It appeared just a few months after the somewhat unsuccessful appearance of Lou Reed's fairly underground first release and rocketed straight into the charts. This production had two British guardian angels to help it on it's way, namely David Bowie and Mick Ronson, both of whom obviously knew how to steer Reed's songwriting qualities into safe waters, without watering down his biting sarcasm and humorous provocation.And that's why grating guitar rock (\"\"Vicious\"\") is found alongside a bittersweet, tender ballad (\"\"Perfect Day\"\") and even an old-time jazz parody (\"\"Goodnight Ladies\"\") which is sung with a tongue a heavy as lead. Why then compare this highly original music mix with others, when it's so much easier to hear this record for what it is - a truly cult album?.\"\" Recording: 1972 by Arun ChakranertyProduction: David Bowie and Mick Ronson.\"\" \"\"Transformer\"\" - Lou Reed (voc, g, arr), Mick Ronson (voc, g, p, arr); David Bowie (voc, arr); Ronnie Ross (sax); Klaus Voorman (b), Herbie Flowers (tu, b); John Halzey, Barry Desouza; Ritchie Dharma (dr); a.o..\"\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVicious\u003c\/li\u003e\n\u003cli\u003eAndy's Chest\u003c\/li\u003e\n\u003cli\u003ePerfect Day\u003c\/li\u003e\n\u003cli\u003eHangin' 'Round\u003c\/li\u003e\n\u003cli\u003eWalk on the Wild Side\u003c\/li\u003e\n\u003cli\u003eMake Up\u003c\/li\u003e\n\u003cli\u003eSatellite of Love\u003c\/li\u003e\n\u003cli\u003eWagon Wheel\u003c\/li\u003e\n\u003cli\u003eNew York Telephone Conversation\u003c\/li\u003e\n\u003cli\u003eI'm So Free\u003c\/li\u003e\n\u003cli\u003eGoodnight Ladies\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019712240\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489496817,"sku":"4260019712240","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/1998362-3629988.jpg?v=1782976841"},{"product_id":"pre-order-yusef-lateef-blue-yusef-lateef-180-gram","title":"Pre-Order: Yusef Lateef - Blue Yusef Lateef [180 Gram]","description":"\u003cp\u003eYusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also - as in this case - in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next. On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. \"Juba Juba\" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef's plaintive flute and background voices singing Â»freedom, freedom, freedomÂ«. After such a gloomy beginning the classical blues number \"Like It Is\" comes over like a breath of fresh air, with it's superb string quartet as the foundation. The R\u0026amp;B contributions on the other tracks testify to Lateef's skilled excursions into the realm of the blues, while the truly adventurous tracks such as \"Back Home\" and the mystic, Chinese odyssey \"Moon Cup\" weave a magical net of sheer pleasure. \"The Blue Yusef Lateef\" is in every possible way absolutely breathtaking. It is a milestone as a jazz album. As a blues album it is quite unique. 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And weren't \"\"Blue Monk\"\", \"\"Epistrophy\"\" and \"\"Bemsha Swing\"\" old favorites too - often played and often heard? Happy memories, then, for those Japanese fans who were in Tokyo's Sankei Hall on 21 May 1963! And happy listeners in 2016 too, when they add this LP to their collection. 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While the New York Times acclaimed the band as a reincarnation of Dizzy Gillespie's Cuban-jazz big band from the end of the Forties, the specialist magazine Rolling Stone spoke of a methadrine trip without visions-Â«. Organ-player Gregg Rolie offered a very simple explanation of the origins of the highly differentiated sound coloring and the throb and chirp of the Afro-Cuban polyrhythms: he succinctly remarked that each member of the multi-cultural band just played the music which he had grown up with.Just how thrilling this sounds is already evident from the first number on the disc, with it's sounds of nature, twisted rhythms, and little snatches of melody, which - as in several other titles - remains spellbinding even without the fascinating drive of Santana's lead-sound. Of course there is plenty of solo material on the guitar which manifests itself in exuberant improvisations with a fusion of rock, salsa and jazz elements. 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Ornette Coleman is doing the only really new thing in jazz. Â® he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album - \"\"The Shape Of Jazz To Come\"\". After the rather worn-out hard bop routine of the past years, this music was like a breath of fresh air. The fast numbers (\"\"Eventuality\"\", \"\"Chronology\"\") remind one of wildly hyped-up bebop. Other numbers (\"\"Congeniality\"\", \"\"Focus On Sanity\"\") juggle with catchy, almost folk like short motifs. This album contains two of Coleman's most beautiful compositions: \"\"Peace\"\" and \"\"Lonely Woman\"\", which was later given lyrics and often heard in it's vocal version. The Mulligan-Baker Quartet provided the model for the pianoless quartet - and when the band swings along once in a while with a moderato tempo, it is truly reminiscent of cool jazz. Be that as it may, the two wind instrumentalists just love the frenetic 'cry' and the intentionally 'imprecise' interplay. Clearly defined stanzas or traditional harmonic forms were not for them. The jazz musicologist Peter N. Wilson wrote: \"\"A record, which is not unjustifiably so entitledÂ® about this LP which was given 5 stars by the magazine Rolling Stone. \"\"This Speakers Corner reissue LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http:\/\/www. Pure-analogue. #com. All royalties and mechanical rights have been paid. Recording: May 1959 at Radio Recorders, Hollywood, CA, by Bones HoweProduction: Nesuhi ErtegunRelease date: 4\/26\/2021Original label: Atlantic\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLonely Woman\u003c\/li\u003e\n\u003cli\u003eEventually\u003c\/li\u003e\n\u003cli\u003ePeace\u003c\/li\u003e\n\u003cli\u003eFocus on Sanity\u003c\/li\u003e\n\u003cli\u003eCongeniality\u003c\/li\u003e\n\u003cli\u003eChronology\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019716064\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489660657,"sku":"4260019716064","price":71.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3973788-3630062.jpg?v=1782999229"},{"product_id":"pre-order-gershwin-bernstein-rhapsody-in-blue-an-american-in-paris-lp","title":"Pre-Order: Gershwin \/ Bernstein - Rhapsody in Blue: An American in Paris [LP]","description":"\u003cp\u003eThis fast and furious orchestral work with piano, which begins with what must surely be the most famous clarinet glissando of modern times, was composed with the intention of presenting as many facets as possible of music from the New World in the short space of around 15 minutes. In his \"\"Rhapsody In Blue\"\" Gershwin wanted to paint a musical kaleidoscope of America - our enormous melting pot, our typical national traits, our blues, our seething city life. With this in mind, Leonard Bernstein made a number of recordings of the work and among the many excellent recordings that he made as a conductor or as a soloist, this present version with the Columbia Orchestra, from 1959, is especially of note.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRhapsody in Blue\u003c\/li\u003e\n\u003cli\u003eAn American in Paris\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019714510\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489693425,"sku":"4260019714510","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2496379.jpg?v=1782976842"},{"product_id":"pre-order-herbie-mann-herbie-mann-at-the-village-gate-180-gram","title":"Pre-Order: Herbie Mann - Herbie Mann At The Village Gate [180 Gram]","description":"\u003cp\u003eHerbie Mann ?- Herbie Mann At The Village Gate Herbie Mann at the Village Gate is a 1961 live album by jazz flutist Herbie Mann which was his third album for Atlantic Records, the main label for much of his career. The album was recorded at legendary club The Village Gate. Herbie Mann - flutes, Hagood Hardy - vibraharp, Ahmed Abdul-Malik - bass, Ray Mantilla - conga and percussion, Chief Bey - African drum and percussion, Rudy Collins - drums, Ben Tucker - additional bass.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eComin' Home Baby    8:37\u003c\/li\u003e\n\u003cli\u003eSummertime               10:18\u003c\/li\u003e\n\u003cli\u003eIt Ain't Necessarily So       19:55\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019715722\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489726193,"sku":"4260019715722","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3844234.jpg?v=1782976842"},{"product_id":"pre-order-warren-zevon-stand-in-the-fire-recorded-live-at-the-roxy-lp","title":"Pre-Order: Warren Zevon - Stand In The Fire: Recorded Live At The Roxy [LP]","description":"\u003cp\u003e\u003cspan\u003eWarren Zevon had toured for quite some time as a songwriter in the rock scene, released a few singles and landed a flop with his debut LP in 1969 before the tide finally turned. Roughly ten years later, his live album - put together from a five-day residency at the Roxy Theater in West Hollywood - entered the annals of vinyl history as one of the best live albums of all time and was awarded four stars by the magazine Rolling Stone. Ambiguously entitled by the comprehensively educated Zevon, who had been confronted with the tough side of show business, 'Stand In The Fire' delivers genial simple pure and straightforward rock right from the start, which hit the public with a vengeance. Full of vim and elation, the band pours out the significant, biting verses with fire ('Jeannie Needs A Shooter') and fuels the emotional inferno with high-speed bursts of rock ('Excitable Boy'). Zevon proves his skills as a singer and songwriter in the ballad-like yet powerful 'Mohammed's Radio'. In a direct comparison to this number we have the forthright, no-nonsense hit 'Werewolves Of London' with it's close harmonies. Just how Zevon manages to succeed in getting his delicate voice and lyrics over to the public is shown in the powerful mix of heavy and honky-tonk ('I'll Sleep When I'm Dead') and finally in the thunderous final number - 'Bo Didley's A Gunslinger' - with it's percussive and metrically complicated antiphony. This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www. Pure-analogue. #com. All royalties and mechanical rights have been paid. Recording: August 1980 live at The Roxy Theatre in West Hollywood, CA. , by Billy Youdelman and Greg LadanyiProduction: Greg Ladanyi \u0026amp; Warren Zevon\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStand In The Fire\u003c\/li\u003e\n\u003cli\u003eJeannie Needs A Shooter\u003c\/li\u003e\n\u003cli\u003eExcitable Boy\u003c\/li\u003e\n\u003cli\u003eMohammed's Radio\u003c\/li\u003e\n\u003cli\u003eWerewolves Of London\u003c\/li\u003e\n\u003cli\u003eLawyers, Guns And Money\u003c\/li\u003e\n\u003cli\u003eThe Sin\u003c\/li\u003e\n\u003cli\u003ePoor Poor Pitiful Me\u003c\/li\u003e\n\u003cli\u003eI'll Sleep When I'm Dead 1\u003c\/li\u003e\n\u003cli\u003eBo Diddley's A Gunslinger\/Bo Diddley\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019715944\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489758961,"sku":"4260019715944","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3756090-2519096.jpg?v=1782976842"},{"product_id":"pre-order-les-mccann-harris-eddie-swiss-movement-lp","title":"Pre-Order: Les Mccann \/ Harris,Eddie - Swiss Movement [LP]","description":"\u003cp\u003eCompared To What is a catchy melody that is heard on the radio, again and again, all around the world, today, tomorrow and the day after. It is unmistakable, still groovy, full of soul, humorous, stirring. And \"\"Cold Duck Time\"\" is no way inferior: Eddie Harris blows for all he is worth. Everyone can hear that Benny Bailey was challenged by the unknown themes, but this maestro still managed to capture the audience's ear and attention. \"\"Swiss Movement\"\" is, and will remain forever, a highlight among all the jazz LPs that have been recorded live and it shouldn't be missing from any collector's shelf.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCompared to What\u003c\/li\u003e\n\u003cli\u003eCold Duck Time\u003c\/li\u003e\n\u003cli\u003eKathleen's Theme\u003c\/li\u003e\n\u003cli\u003eYou Got It in Your Soulness\u003c\/li\u003e\n\u003cli\u003eThe Generation Gap\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019715500\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489791729,"sku":"4260019715500","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3759638.jpg?v=1782976844"},{"product_id":"pre-order-alan-parsons-project-eye-in-the-sky-lp","title":"Pre-Order: Alan Parsons Project - Eye in the Sky [LP]","description":"\u003cp\u003eLimited 180gm vinyl LP pressing. Unimpressed and untouched by the glorification of individuals so typical of the music business, The Alan Parsons Project proved that even without spectacular light shows, rock celebrities in the band or self-composed songs it was possible to rise to stardom. Alan Parsons, who first took up an apprenticeship as a sound engineer at EMI and was later responsible for several Paul McCartney productions and the Pink Floyd album Dark Side Of The Moon at the legendary Abbey Road Studios, drew upon his experience in order to further his solo career. While the co-producer Eric Woolfson wrote songs, Parsons - who had an uncanny feeling for sound - conjured up a lush mÃ©lange of synthetic and natural sounds. As with all albums from the early years, Eye In The Sky is inspired by important topics of the times. True to the 'no-future lifestyle' of the 80s, the songs impart a somewhat depressive character which serves as a stark contrast to the steely rock rhythms, free from electronic gimmicks. In addition one finds addictive harmony in the vocal polyphony (Gemini), blaring brass with a Spanish rhythm (Silence And I) and a velvety string sound (Old And Wise). All in all a great achievement by the British wizard of sound at the mixing console.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSirius\u003c\/li\u003e\n\u003cli\u003eEye in the Sky\u003c\/li\u003e\n\u003cli\u003eChildren of the Moon\u003c\/li\u003e\n\u003cli\u003eGemini\u003c\/li\u003e\n\u003cli\u003eSilence and I\u003c\/li\u003e\n\u003cli\u003eYou're Gonna Get Your Fingers Burned\u003c\/li\u003e\n\u003cli\u003ePsychobabble\u003c\/li\u003e\n\u003cli\u003eMammagamma\u003c\/li\u003e\n\u003cli\u003eStep By Step\u003c\/li\u003e\n\u003cli\u003eOld and Wise\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019712929\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489824497,"sku":"4260019712929","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2292926.jpg?v=1782976844"},{"product_id":"pre-order-herbie-hancock-crossings-180-gram","title":"Pre-Order: Herbie Hancock - Crossings [180 Gram]","description":"\u003cp\u003eThis 1972 release was the second album in Herbie Hancock's Mwandishi period. 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However, to play the blues, and thus to express a man's innermost feelings and state of mind, is probably the most important task of black music. With Buddy Guy and Junior Wells, we have two disciples from the world of the blues who express their highly personal blues with profound instrumental proficiency. The enormously talented, self-taught guitarist Buddy Guy was ranked 23rd in Rolling Stones magazine's list \"100 Greatest Guitarists of All Time\", and several times he was awarded one of the coveted Grammy awards. Junior Wells entered Muddy Waters' 'academy' at the tender age of 18 and played the blues harp with enormous passion and virtuosity. In this recording, the musicians condense their rock playing over a bone-dry bass line to create a mantra-like funky style ('A Man Of Many Words'), passing on with fleet-footed steps to a slender chirping sound on the mandolin with a 12-bar blues construction and creating an earthy groove ('T-Bone Shuffle'). Then the duo works perseveringly on an unrelenting chord ('A Poor Man's Plea'), only to return to two numbers that pulsate forcefully with a snappy and jagged offbeat ('This Old Fool'). The handpicked band, among them being co-producer Eric Clapton who is eternalized on the rhythm and bottleneck guitar, and the voodoo rocker Dr. John who occasionally contributes his magic on the keyboard, make this album a truly collectible sound experience. This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www. Pure-analogue. #com. All royalties and mechanical rights have been paid. Production: Ahmet Ertegun, Eric Clapton, Michael Cuscuna, Tom Dowd\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Man of Many Words\u003c\/li\u003e\n\u003cli\u003eMy Baby She Left Me (She Left a Mule to Ride)\u003c\/li\u003e\n\u003cli\u003eCome on in This House\/Have Mercy Baby\u003c\/li\u003e\n\u003cli\u003eT-Bone Shuffle\u003c\/li\u003e\n\u003cli\u003eA Poor Man's Plea\u003c\/li\u003e\n\u003cli\u003eMessin' with the Kid\u003c\/li\u003e\n\u003cli\u003eThis Old Fool\u003c\/li\u003e\n\u003cli\u003eI Don't Know\u003c\/li\u003e\n\u003cli\u003eBad Bad Whiskey\u003c\/li\u003e\n\u003cli\u003eHoneydripper\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019716026\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489922801,"sku":"4260019716026","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3860855-2605277.jpg?v=1782976845"},{"product_id":"pre-order-dvorak-dorati-cello-concerto-in-b-minor-180-gram","title":"Pre-Order: Dvorak \/ Dorati - Cello Concerto In B Minor [180 Gram]","description":"\u003cp\u003eThe outstanding success of our release of Bach's Cello Suites performed by Janos Starker has encouraged us to follow this up with a no less important interpretation of DvorÂ k's Cello Concerto by the Hungarian virtuoso. Starker tackles this concerto with amazing confidence; technical difficulties encountered by others in it's performance appear unknown to him. Tonal purity, even in the dreaded upper register and the cadenzas, remains unscathed, so that one can concentrate wholly on the meditative magic of the music.Janos Starker has found worthy fellow musicians in Antal Dorati and the London Symphony Orchestra. The conductor and soloist set a benchmark in how to work together as a team in concert in that it is less the often lamented emulation than the interpretation which stands in the foreground in this performance. Rather, the two protagonists commit themselves to a chamber-music-like reading which is distinguished by the dynamically moderate intonation of the orchestra and the slender tone of the soloist throughout.An ever-welcome encore is found on side two with Bruch's \"\"Kol Nidrei\"\", performed with verve and a good portion of romantic, melting sweetness which allows this evergreen to flourish..\"\" Recording: July 1962 at Wembley Town Hall, London, by C.R. Fine and Robert EberenzProduction: Wilma Cozart.\"\" AntonÂ¡n DvorÂ k: Concerto for Cello and Orchestra in B Minor,op. 104 \/ Max Bruch: Kol Nidrei, op. 47 - Janos Starker and the London Symphony Orchestra conducted by Antal Dorati.\"\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCello Concerto in B minor, Opus 104\u003c\/li\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e\n\u003cli\u003eAdagio Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eFinale. 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Nothing is routine, perhaps because the drummer Connie Kay had replaced Kenny Clark just one year previously. But maybe too because Milt Jackson's blues influence inspired John Lewis perceptibly to forget all about discipline. All seven numbers are true gems. But if you want a special hint, just listen to \"Bluesology\". Well, perhaps the present author is too much of a Milt Jackson fan. Be that as it may, the music magazine \"Rolling Stone\" gave this LP a five-star rating!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVersailles (Porte de Versailles)\u003c\/li\u003e\n\u003cli\u003eAngel Eyes\u003c\/li\u003e\n\u003cli\u003eFontessa\u003c\/li\u003e\n\u003cli\u003eOver the Rainbow\u003c\/li\u003e\n\u003cli\u003eBluesology\u003c\/li\u003e\n\u003cli\u003eWillow Weep for Me\u003c\/li\u003e\n\u003cli\u003eWoodyn You\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019715456\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489988337,"sku":"4260019715456","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3741240.jpg?v=1782976845"},{"product_id":"pre-order-elvis-presley-elvis-christmas-album-lp","title":"Pre-Order: Elvis Presley - Elvis' Christmas Album [LP]","description":"\u003cp\u003eWild rock'n'roll and Christian spirituality at Christmas tide are impossible to bring together musically, one might think. But Elvis, who in the Fifties was climbing as steadily up the ladder of success as Father Christmas coursed the sky in his sleigh, certainly pulled off this feat in his \"Christmas Album\" with it's mixture of popular Christmas songs and seasonal evergreens. The 'King' delivers a rocking version of \"Santa Claus Is Back In Town\" just as successfully as \"Peace In The Valley\", an inspirational gospel song praising nature. Of course it goes without saying that \"White Christmas\" - the most-recorded Christmas hit, which in the Bing Crosby version alone achieved sales of 35 million - is included on the album. And Elvis's sentimental interpretation of \"Silent Night\" may well have made it's contribution to the immortality of the former truck driver from Tennessee. Back on this earth the original LP exchanges hands for around US$ 500 when the gift tag is still attached. And because it's Christmas, the coveted sticker can be found on the re-release..\".\" \"Elvis' Christmas Album\" - Elvis Presley (g, voc), The Jordanaires (voc), a.o..\" gatefold sleeve, booklet.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSanta Claus Is Back in Town\u003c\/li\u003e\n\u003cli\u003eWhite Christmas\u003c\/li\u003e\n\u003cli\u003eHere Comes Santa Claus (Right Down Santa Claus Lane)\u003c\/li\u003e\n\u003cli\u003eI'll Be Home for Christmas\u003c\/li\u003e\n\u003cli\u003eBlue Christmas\u003c\/li\u003e\n\u003cli\u003eSanta Bring My Baby Back (To Me)\u003c\/li\u003e\n\u003cli\u003eOh Little Town of Bethlehem\u003c\/li\u003e\n\u003cli\u003eSilent Night\u003c\/li\u003e\n\u003cli\u003e(There'll Be) Peace in the Valley (For Me)\u003c\/li\u003e\n\u003cli\u003eI Believe\u003c\/li\u003e\n\u003cli\u003eTake My Hand, Precious Lord\u003c\/li\u003e\n\u003cli\u003eIt Is No Secret (What God Can Do)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019713179\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368490021105,"sku":"4260019713179","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3755468-2658518.jpg?v=1782976845"},{"product_id":"pre-order-chet-atkins-in-hollywood-180-gram","title":"Pre-Order: Chet Atkins - In Hollywood [180 Gram]","description":"\u003cp\u003eChet Atkins in Hollywood is the title of a recording by American guitarist Chet Atkins, released in 1959. The title takes it's name from the fact that Atkins recorded it in Hollywood. The lush string arrangements are by Dennis Farnon. Atkins later (in 1961) re-recorded this album in his home studio, using the orchestra tapes from the Hollywood session. The original LP lists Atkins as the producer, the 1961 reissue lists \"... with Dennis Farnon and his orchestra\" and also lists Dick Peirce as producer.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eArmen's Theme (Ross Bagdasarian) - 2:12\u003c\/li\u003e\n\u003cli\u003eLet It Be Me (Gilbert Becaud, Mann Curtis, Pierre Delanoe) - 3:22\u003c\/li\u003e\n\u003cli\u003eTheme from Picnic (George Duning) - 3:24\u003c\/li\u003e\n\u003cli\u003eTheme from a Dream (Boudleaux Bryant) - 3:58\u003c\/li\u003e\n\u003cli\u003eEstrellita (Manuel Ponce) - 2:51\u003c\/li\u003e\n\u003cli\u003eJitterbug Waltz (Richard Maltby, Fats Waller) - 3:00\u003c\/li\u003e\n\u003cli\u003eLittle Old Lady (Stanley Adams, Hoagy Carmichael) - 2:20\u003c\/li\u003e\n\u003cli\u003eTerry Theme from Limelight (Charlie Chaplin) - 3:16\u003c\/li\u003e\n\u003cli\u003eThe Three Bells (Bert Reisfeld, Jean Villard) - 3:06 1\u003c\/li\u003e\n\u003cli\u003eSanta Lucia (Titman) - 2:50 1\u003c\/li\u003e\n\u003cli\u003eGreensleeves (Traditional) - 3:05 1\u003c\/li\u003e\n\u003cli\u003eMeet Mister Callaghan (Eric Spear) - 2:23\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019715050\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368490053873,"sku":"4260019715050","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3366080.jpg?v=1782976846"},{"product_id":"pre-order-chet-atkins-mister-guitar-lp","title":"Pre-Order: Chet Atkins - Mister Guitar [LP]","description":"\u003cp\u003eAt a time when rock 'n' roll-crazy teenagers in the USA and elsewhere were dancing their feet off to the beat of Elvis Presley and Bill Haley, probably no one was interested as to where this music actually originated. The focal point of the folk movement was Tennessee: it was here that everyone came who had used their grandfathers' songs and fiddle tunes to create the pop-oriented Nashville Sound, a sound which became American music's trademark and export hit. Chet Atkins is one of the people who helped to create this special sound and who kept an Argus-eyed watch on it's originality and development. In addition to the recordings he made in his own studio, he was also a producer and studio guitarist for RCA.This album features Chet Atkins as \"\"Mister Guitar\"\", who - as a soloist - only allowed a small and highly discreet rhythm group to accompany him. The result is a refreshingly pure and unadulterated steel-string sound without frills and padding and so has little in common with the commercial country music of the masses. With his relaxed, technically perfect and highly variable playing technique, Atkins shows us what the New World has to offer in the way of folk music: highly melodic numbers which delight the ear with the simplest of means..\"\" Recording: 1959 in Nashville, Tennessee, by Bob Farris and Bill PorterProduction: Chet Atkins.\"\" \"\"Mister Guitar\"\" - Chet Atkins (g), and band.\"\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKnow That You Know\u003c\/li\u003e\n\u003cli\u003eRainbow\u003c\/li\u003e\n\u003cli\u003eHello Bluebird\u003c\/li\u003e\n\u003cli\u003eSiesta\u003c\/li\u003e\n\u003cli\u003eCountry Style\u003c\/li\u003e\n\u003cli\u003eShow Me the Way to Go Home\u003c\/li\u003e\n\u003cli\u003eI'm Forever Blowing Bubbles\u003c\/li\u003e\n\u003cli\u003eBackwoods\u003c\/li\u003e\n\u003cli\u003eCountry Gentleman\u003c\/li\u003e\n\u003cli\u003eSlinkey\u003c\/li\u003e\n\u003cli\u003eJessie\u003c\/li\u003e\n\u003cli\u003eConcerto in C Minor\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019712455\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368490086641,"sku":"4260019712455","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2292945.jpg?v=1782976845"},{"product_id":"pre-order-ry-cooder-ry-cooder-180-gram-can","title":"Pre-Order: Ry Cooder - Ry Cooder [180 Gram] (Can)","description":"\u003cp\u003eBy the time he was aged 22, Ry Cooder was already a veteran of the music business and in great demand as a studio musician and sideman. Shortly after signing a contract with Warner Music in 1969, he released his first album under his own name, placing his confidence in the musical talent he had developed since being a child and on the rare value of his favourite instrument, the steel guitar. The present LP that carries his name is a fascinating blend of blues, folk, rock 'n' roll and pop - a unique mixture, which combines superb songs, virtuosic playing and somewhat bizarre yet imaginative arrangements. For material, Cooder, the son of folklorist parents, dug out ten gems coming from over six decades, right back to the 1920s - by legends such as Woody Guthrie, Blind Blake, Sleepy John Estes and Leadbelly, as well as a more up-to-date Randy Newman composition. As magnificent as his choice might be, it is the exuberant charm of his own instrumental composition \"\"Available Space\"\" that almost steals the show here. Expansive and unbiased, Cooder plays an ironic game made up of wordless irregular phrases, which promise the listener something new and ultimately circle in an infinite loop. Cooder's need to prove himself, moderated by his veneration for the past, helps to create a completely original work that will prove rewarding for the adventurous listener. This Speakers Corner reissue LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http:\/\/www. Pure-analogue. #com. All royalties and mechanical rights have been paid. Recording: 1970 at various studios by Bob Kovacs, Doug Botnick, Rudy Hill and Jim LoweProduction: Lenny Waronker and Van Dyke ParksRelease date: 8\/23\/2021Original label: Reprise\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSide 1\u003c\/li\u003e\n\u003cli\u003eAlimony\u003c\/li\u003e\n\u003cli\u003eFrance Chance\u003c\/li\u003e\n\u003cli\u003eOne Meat Ball\u003c\/li\u003e\n\u003cli\u003eDo Re Mi\u003c\/li\u003e\n\u003cli\u003eOld Kentucky Home\u003c\/li\u003e\n\u003cli\u003eHow Can a Poor Man Stand Such Times and Live\u003c\/li\u003e\n\u003cli\u003eSide 2\u003c\/li\u003e\n\u003cli\u003eAvailable Space\u003c\/li\u003e\n\u003cli\u003ePig Meat\u003c\/li\u003e\n\u003cli\u003ePolice Dog Blues\u003c\/li\u003e\n\u003cli\u003eGoin' to Brownsville\u003c\/li\u003e\n\u003cli\u003eDark Is the Night\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019716095\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368490119409,"sku":"4260019716095","price":67.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/4017354-3630063.jpg?v=1782999427"},{"product_id":"pre-order-chet-baker-chet-is-back-lp","title":"Pre-Order: Chet Baker - Chet Is Back [LP]","description":"\u003cp\u003eForty-two years ago, Chet Baker - one of the most tragic figures of jazz who lived on the fast lane and ruined himself with drugs and alcohol - was constantly on the road from one European jazz club to another. Local rhythm groups were not always top notch so it was only logical to pick the very best from several countries for a film-music production in Italy. And it was equally logical that RCA's Italian subsidiary brought the musicians into the studio in January 1962.With one exception, the eight titles on this disc are all so-called standards. The two winds demand total concentration from the rhythm section while maintaining relaxed and laid-back harmonic patterns. And this is something the Italian Tommasi, the Belgian Thomas, the Frenchman Quersin and the Swiss Humair carry off with an air of nonchalance.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWell, You Needn't\u003c\/li\u003e\n\u003cli\u003eThese Foolish Things\u003c\/li\u003e\n\u003cli\u003eBarbados\u003c\/li\u003e\n\u003cli\u003eStar Eyes\u003c\/li\u003e\n\u003cli\u003eOver the Rainbow\u003c\/li\u003e\n\u003cli\u003ePent Up House\u003c\/li\u003e\n\u003cli\u003eBallata in Forma Di Blues\u003c\/li\u003e\n\u003cli\u003eBlues in the Closet\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019712363\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368490152177,"sku":"4260019712363","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2292946.jpg?v=1782976847"},{"product_id":"pre-order-nina-simone-and-piano-lp","title":"Pre-Order: Nina Simone - And Piano! [LP]","description":"\u003cp\u003eMusicians certainly don't have it easy with record companies. First of all they must struggle to even get a contract. Then, when their debut release has proved a success, they are bandied around from one arranger to another in all the recording studios imaginable. But having been 'treated' with such sounds as a snappy combo, meaty bigband, and smoochy string orchestra, there at last comes an opportunity for some artists to be themselves again. This album wholly concentrates on Nina Simone and demonstrates that she does not need help from anyone else in order to bring her strikingly expressive voice into the limelight. Accompanying her in her songs about loneliness, identity crises, and desires is her faithful friend, the piano, which she masters equally as well as her voice. The piano parts are far more than just casual accompaniments. Varying from number to number, they range from a classical, bluesy sound, to late-Romantic fervour, right up to avantgarde aggression. And yet all these pieces have something in common: filled with bizarre beauty, they portray a complex personality with all it's ups and downs..\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSeems I'm Never Tired Lovin' You\u003c\/li\u003e\n\u003cli\u003eNobody's Fault But Mine\u003c\/li\u003e\n\u003cli\u003eI Think It's Going to Rain Today\u003c\/li\u003e\n\u003cli\u003eEveryone's Gone to the Moon\u003c\/li\u003e\n\u003cli\u003eCompensation\u003c\/li\u003e\n\u003cli\u003eWho Am I\u003c\/li\u003e\n\u003cli\u003eAnother Spring\u003c\/li\u003e\n\u003cli\u003eThe Human Touch\u003c\/li\u003e\n\u003cli\u003eI Get Along Without You Very Well (Except Sometimes)\u003c\/li\u003e\n\u003cli\u003eThe Desperate Ones\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019712479\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368490184945,"sku":"4260019712479","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2293089.jpg?v=1782976847"},{"product_id":"pre-order-henry-mancini-the-pink-panther-lp","title":"Pre-Order: Henry Mancini - The Pink Panther [LP]","description":"\u003cp\u003eHenry Mancini - The Pink Panther - Original score composed by Henry Mancini. Producer: Joe Reisman. Reissue producer: Rob Santos. Recorded at RCA Victor's Music Center Of The World, Hollywood, California. Originally released on RCA (2795). Includes reissue liner notes by Michael Hill. ?The film director Blake Edwards brought into existence what is probably the best opening sequence to his comic crime film when he commissioned a young enterprising company to produce an animated Pink Panther cartoon film. The creative team came up with the idea of giving the cold, glittering diamond the guise of a cool, pink panther, which leads a bungling detective on a merry dance to the slinky sound of the Panther theme. - Mancini would not be Mancini if he did not bathe the film location - the skiing resort Cortina d'Ampezzo -in highly varied musical colours and genres. His well-known love for dance music finds itself in the samba (\"It Had Better Be Tonight\"), the shuffle (\"Champagne And Quail\"), and the cha-cha (\"Something For Sellers\"). But also the ballad, sung by a muted trumpet and saxophone (\"Royal Blue\"), or the simple combination of keyboard and strings (\"Piano And Strings\") are all woven into the story. One of the most memorable and delightful sounds is that of the accordion, whose melodies evoke an atmosphere that is filled with the BohÃ¨me, Paris and the sound of the musette. This music is never gaudy, but subtle, just like a panther padding quietly along. And if your appetite is now whetted for more, there is an extra portion of Mancini to be found in \"Breakfast At Tiffany's\" (RCA LSP 2362). Recording: September 1963 at RCA Victor's Music Center of the World, Hollywood, by Jim Malloy Production: Joe Reisman\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Pink Panther Theme\u003c\/li\u003e\n\u003cli\u003eIt Had Better Be Tonight-Instrumental\u003c\/li\u003e\n\u003cli\u003eRoyal Blue\u003c\/li\u003e\n\u003cli\u003eChampagne ; Quail\u003c\/li\u003e\n\u003cli\u003eThe Village Inn\u003c\/li\u003e\n\u003cli\u003eThe Tiber Twist\u003c\/li\u003e\n\u003cli\u003eIt Had Better Be Tonight-Vocal\u003c\/li\u003e\n\u003cli\u003eCortina\u003c\/li\u003e\n\u003cli\u003eThe Lonely Princess\u003c\/li\u003e\n\u003cli\u003eSomething for Sellers\u003c\/li\u003e\n\u003cli\u003ePiano and Strings\u003c\/li\u003e\n\u003cli\u003eShades of Sennett\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019713995\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368490217713,"sku":"4260019713995","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2293043.jpg?v=1782976848"},{"product_id":"pre-order-al-green-call-me-180-gram-vinyl","title":"Pre-Order: Al Green - Call Me [180 Gram Vinyl]","description":"\u003cp\u003eWhat connects celebrity chefs and pop stars is their fine nose for ingredients, especially when hot and spicy ones are mixed with milder elements to create an aromatic result. A combination of 'sweet' and 'funky' is the secret of Al Green's gloriously sentimental and sensual pop songs, which in the sexually free Seventies were often referred to as -songs to make love byr. What swings along gently is, however, Al Green's subtly controlled falsetto, which he can tone right to the threshold of audibility. But watch out! This music belts out some fiery sounds right from the very first number. The sinuous, swinging request in the brilliant hit single \"Call Me\", the relaxed and groovy \"Stand Up\", with it's sharp wind interjections which demand one's unerring attention, are typical for Green's style, just as is his almost disturbing capability to gain comfort from loneliness (\"I'm So Lonesome, I Could Cry\"). This rhythmically powered music can best be described as light, intensive, dynamic but never flashy (\"Your Love Is Like The Morning Sun\"). It finds it's earthly culmination in soul (\"I'm Waiting\") and spiritual depth..\" Recording: 1973 at Royal Recording Studios, Memphis, TN, by Willie MitchellProduction: Al Green and Willie Mitchell.\" \"Call Me\" - Al Green (voc); James Mitchell (bs, arr); Andrew Love (ts); Jack Hale (tb); Wayne Jackson (tp); Mabon Hodges (g); Charles Hodges (keyb); Archie Turner (p); Leroy Hodges (b); Howard Grimes (dr); The Memphis Strings; a.o..\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCall Me (Come Back Home)\u003c\/li\u003e\n\u003cli\u003eHave You Been Making Out O.K\u003c\/li\u003e\n\u003cli\u003eStand Up\u003c\/li\u003e\n\u003cli\u003eI'm So Lonesome I Could Cry\u003c\/li\u003e\n\u003cli\u003eYour Love Is Like the Morning Sun\u003c\/li\u003e\n\u003cli\u003eHere I Am (Come and Take Me)\u003c\/li\u003e\n\u003cli\u003eFunny How Time Slips Away\u003c\/li\u003e\n\u003cli\u003eYou Ought to Be with Me\u003c\/li\u003e\n\u003cli\u003eJesus Is Waiting\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019714190\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368490250481,"sku":"4260019714190","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/1956050.jpg?v=1782976848"},{"product_id":"pre-order-delaney-bonnie-friends-on-tour-180-gram-can","title":"Pre-Order: Delaney \u0026 Bonnie \u0026 Friends - On Tour [180 Gram] (Can)","description":"\u003cp\u003e?This 42-minute-long live album, which was recorded in December 1969 in Croydon, England and was awarded 5 stars by the magazine Rolling Stone, is not only the culmination of Delaney \u0026amp; Bonnie's creative output but also marks their connection to the further careers of Eric Clapton and George Harrison. On this particular tour, Clapton plays the same mixture of country music, blues and gospel that were to hallmark his own early solo appearances from 1970. He rose to the occasion with consistently brilliant virtuosity; the highlights are a dizzying solo in 'I Don't Want To Discuss It', a lengthy 'Slowhand' passage in 'Only You Know And I Know', and a dry fervent introduction to the wonderfully balanced 'Coming Home'. Vocally Delaney \u0026amp; Bonnie were never better than on this live set, and the 11-piece band sounds musically more close-knit than many a quartet of the times, regardless of whether they are playing a lengthy blues number or a medley of Little Richard songs. It is certainly no coincidence that the band featured here would become Clapton's own choice for his first solo LP, or that the kernel of this group - Bobby Whitlock, Carl Radle, and Jim Gordon - would metamorphose into Derek and the Dominos, or that the bulk of the band would constitute the group that would perform with George Harrison in 'All Things Must Pass' and The Concert For Bangladesh, except that their playing (not to mention the recording) is better here. 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She sometimes complained about the miserable erotic prowess of her lovers, while at other times her audience were a target for her tongue. Sometimes she canceled her performances at short notice and held a tirade against show business as such. In her music, rooted in gospel, she sought a path which took her down a middle course between jazz and pop, thus earning her the title of High Priestess Of Soul (as in the LP title) with her rock fans in the Sixties.The present blues album was recorded during what was undisputedly her most productive phase. It is a recording which does not swim with the tide of the times in that it does not employ massive forces or seek the twang of electrification. Instead Nina Simone's wonderfully sleek contralto voice bathes in the gentle timbre of an organ and a pithy, pulsating - but by no means stomping - rhythm. The cool, unemotional number \"\"Sings The Blues\"\" guarantees riveting tension and the authenticity of the genre which is, of course, the be all and end all of music for every black artist. Surely no compilation, no matter how carefully conceived, could possibly mark the diva's 70th birthday in February and sudden death in April 2003 better than this re-release.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDo I Move You\u003c\/li\u003e\n\u003cli\u003eDay and Night\u003c\/li\u003e\n\u003cli\u003eIn the Dark\u003c\/li\u003e\n\u003cli\u003eReal Real\u003c\/li\u003e\n\u003cli\u003eMy Man's Gone Now\u003c\/li\u003e\n\u003cli\u003eBacklash Blues\u003c\/li\u003e\n\u003cli\u003eI Want a Little Sugar in My Bowl\u003c\/li\u003e\n\u003cli\u003eBuck\u003c\/li\u003e\n\u003cli\u003eSince I Fell for You\u003c\/li\u003e\n\u003cli\u003eThe House of the Rising Sun\u003c\/li\u003e\n\u003cli\u003eBlues for Mama\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019711878\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368490316017,"sku":"4260019711878","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/3755496-2658497.jpg?v=1782976848"},{"product_id":"pre-order-johnny-cash-at-san-quentin-lp","title":"Pre-Order: Johnny Cash - At San Quentin [LP]","description":"\u003cp\u003eJohnny Cash At San Quentin [Vinyl LP] Recorded during the making of Granada Television program, 'Johnny Cash At San Quentin Prison' At San Quentin is the 31st overall album by Johnny Cash recorded live at San Quentin State Prison on February 24, 1969 and released on June 4 of that same year. The concert was filmed by Granada Television, produced and directed by Michael Darlow. The album was a follow-up to Cash's previous live album, the critically acclaimed and commercially successful At Folsom Prison. The album was certified gold on August 12, 1969, platinum and double platinum on November 21, 1986, and triple platinum on March 27, 2003 by the RIAA. The album was nominated for a number of Grammy Awards, including Album of the Year and won Best Male Country Vocal Performance for \"\"A Boy Named Sue.\"\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWanted Man Written-By - B. Dylan\u003c\/li\u003e\n\u003cli\u003eWreck of the Old 97\u003c\/li\u003e\n\u003cli\u003eI Walk the Line\u003c\/li\u003e\n\u003cli\u003eDarling Companion Written-By - J. Sebastian Starkville City Jail\u003c\/li\u003e\n\u003cli\u003eStarkville City Jail\u003c\/li\u003e\n\u003cli\u003eSan Quentin\u003c\/li\u003e\n\u003cli\u003eSan Quentin\u003c\/li\u003e\n\u003cli\u003eA Boy Named Sue\u003c\/li\u003e\n\u003cli\u003e(There'll Be) Peace in the Valley Written-By - T. 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It topped the Billboard charts for over five weeks, thus quickly gaining gold status, as did the single release of 'You?re So Vain'. This song determined the album?s flippant tone, with it's sexually unashamed autobiography ('You had me several years ago\/When I was still quite naÃ¯ve') and it's observations on the lifestyle of the jet set. But Simon?s sincerity also meant that her lyricism was double-edged. Now that she thinks she has found true love, she expresses her joy over her relationship to James Taylor with 'The Right Thing To Do', another top ten hit. On the other hand she was just as willing to recognize her own mistakes and regretted pointing her finger at other people. It was not just Simon?s frankness that made the album a success, but also Richard Perry?s simple, elegant pop-rock production, which lent Simon?s music a vitality it never known before. Perry was mindful in particular of Simon?s vocals, making them more perceptive and stirring than in her other productions. 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