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The four-track collection brings together a handpicked group of artists whose individual approaches blur the boundaries between a variety of genres and contemporary Brazilian sounds.To be released digitally and on limited vinyl, the EP also sees the return of acclaimed artist Luci Pina, whose artwork for Tuff Times Never Last is reimagined for this new chapter, creating a visual thread between the original album and it's Brazilian counterpart.Leading the announcement is Never Lost (Luedji Luna Remix), available now on all digital platforms. The celebrated Brazilian singer-songwriter brings her unmistakable warmth and emotive vocal sensibility to the track, offering a beautifully understated reinterpretation that deepens the song's themes of hope, resilience and togetherness.Completing the EP are three further remixes from across Brazil's vibrant musical landscape. Onome of Kokoroko joins forces with acclaimed guitarist Nyron Higor for a richly textured rework of Da Du Dah, while producer Aleh Ferreira delivers a rhythm-driven reinterpretation of the same track. Closing the collection, Bruno Berle transforms Closer To Me with his signature blend of intimate songwriting, Brazilian groove and experimental pop sensibilities.Together, the remixes offer fresh perspectives on Tuff Times Never Last, extending the album's spirit of optimism while celebrating the creative connections between London and Brazil.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKokoroko - Da Du Dah (Onome Remix Feat. 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The kind of music where the amps glow, the drums crack like thunder, and the crowd feels every bend of the strings in their chest.  Follow the thunder.  Delmark Records - Blues and Jazz since 1953; experience the legends from the blues capital of the world!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMojo Man\u003c\/li\u003e\n\u003cli\u003eSacrifice\u003c\/li\u003e\n\u003cli\u003eI Still Wonder\u003c\/li\u003e\n\u003cli\u003eOn and on\u003c\/li\u003e\n\u003cli\u003eLet Me Live\u003c\/li\u003e\n\u003cli\u003eTell Me What It Is\u003c\/li\u003e\n\u003cli\u003eChicago Cowboy\u003c\/li\u003e\n\u003cli\u003eComin for Mines\u003c\/li\u003e\n\u003cli\u003eI Know You Gotta Go\u003c\/li\u003e\n\u003cli\u003eDo It Right\u003c\/li\u003e\n\u003cli\u003eBonus Track: What'd I Say\u003c\/li\u003e\n\u003cli\u003eBonus Track: Leave My Girl Alone\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 038153089818\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Delmark\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Delmark","offers":[{"title":"Default Title","offer_id":48428454478065,"sku":"038153089818","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/4529161-3670606.jpg?v=1784665692"},{"product_id":"pre-order-late-aster-recall-recall-lp","title":"Pre-Order: Late Aster - Recall Recall [LP]","description":"\u003cp\u003eThe latest release by the two classically trained brass musicians\/composers Aaron Messing and Anni Hochhalter, Recall, Recall, is an overflowing menagerie of sounds and melodies featuring textured injections of trumpet and French horn, with some voice, guitar, drums, and sensory percussion giving the whole a unique sound. 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Drawing on distinctly American preoccupations, the work unfolds within a community bound together by circumstance and belief, shaped by the unsettling presence of an unexplained 'hum' that blurs perception and reality. Through Mazzoli's richly textured orchestral writing and Vavrek's incisive dramaturgy, the opera becomes a powerful reflection on vulnerability, tenderness, rage and hope, all sung into existence with a haunting sense of optimism.At it's centre is Claire Devon, a high school math teacher portrayed with remarkable intensity by Nicole Heaston, whose collaboration with the composer shapes a character defined by curiosity, precision and uncompromising emotional depth. Her journey from isolation to reluctant authority exposes the human need for connection in a world where listening becomes both consolation and control, and where belief can quickly harden into collective illusion. 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Bach's Cantatas arranged\/re-composed by Chiahu Lee and Gyorgy Kurtag, and performed by piano Duo Vershinina-Lee (Chiahu Lee and Yulia Vershinina-Mukhopadhyay). This follows their acclaimed Diversions release in 2024 (re)inventions a deux pianos (DDV 24172), a complete recomposition for two pianos of J.S. Bach's 15 two-part inventions, praised by BBC Music Magazine as 'an invigorating and beguiling spring clean for the ears.' Yulia Vershinina first encountered Kurtag's transcription of the Sonatina from J.S. Bach's Cantata Gottes Zeit ist die allerbeste Zeit ten years ago, and drawn to it's intimacy, the Duo have longed to record it. It's included on the album alongside six new four-hand reimaginings of J.S. Bach cantata sections composed by Chiahu Lee, and in doing so the duo have formed an imagined cantata of their own, bringing Bach's vocal world into the shared space of one piano, embodying the joy, spontaneity, and trust of their unique partnership.The album opens with the exhilarating and joyful arrangement of Sinfonia 'Wir danken dir, Gott, wir danken dir' (BWV 29), followed by the Chorale 'Wachet auf, ruft uns die Stimme' (BWV 140), both bringing to mind the layered textures of electronic music. The Chorale Prelude 'Nun freut euch, lieben Christen g'mein' (BWV 734) successfully manages the tricky task of translating the various different instrumental colours into one shared keyboard. Chorale Prelude 'Ich ruf zu dir, Herr Jesu Christ' (BWV 639) was inspired in part by Kurtag's transcription style: intimate, spare, and intensely concentrated, and is followed by his long-awaited arrangement of the Sonatina 'Gottes Zeit ist die allerbeste Zeit' (BWV 106). Chia- Chia has waited since childhood to play Aria 'Alles, was von Gott geboren' (BWV 80), and to bring this beloved vocal moment into the shared space of four hands. The final Chorale 'Alle Menschen mussen sterben' (BWV 262) was inspired by string instruments - Lee found ways to allow the piano to replicate their resonance and to suggest bowed sound.Chiahu-Lu Lee says 'Bach himself was a master of transcription: he arranged music by other composers and reworked his own. Seen in that light, the desire to carry Bach's vocal worlds into the hands of pianists felt less like an intrusion and more of a continuation - a way of entering a tradition rather than stepping outside of it.'Pianists Yulia Vershinina-Mukhopadhyay and Chiahu 'Chia-Chia' Lee met at the Royal Northern College of Music in Manchester, where a lasting friendship grew into an enduring musical partnership. 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For acclaimed folk artist Martin Simpson, this release reflects not just a remarkable 50-year recording career, but over six decades shaped by song, tradition, and continual artistic growth. Yet this is not a retrospective, it's a forwardlooking work, carrying the depth, skill, and passion of a lifetime into the present.Marking 50 years since his debut album Golden Vanity, Simpson describes Some Kind of Jubilee as \"\"my best work to date.\"\" To realise this landmark project, he brings together an exceptional group of collaborators drawn from across his long and distinguished career. Among them are renowned pedal steel guitarist Greg Leisz, guitarist Zac Hobbs, cellist Liz Hanks, guitarist Louis Campbell, and double bassist Ben Nicholls. Together, they create a rich and textured soundscape that honours tradition while embracing fresh perspectives. Recorded at Groovemaster Studio in Santa Monica and completed in Yorkshire, the album blends newly written songs with reimagined traditional material and inspired reinterpretations from Simpson's own catalogue. The result is a deeply rooted yet vibrant collection that reflects both heritage and innovation. As Greg Leisz puts it, \"\"This music has some profoundly deep roots - so dig in.\"\" With Some Kind of Jubilee, Martin Simpson honours his past while continuing to shape the future of folk music, reaffirming his place as one of the genre's most respected and enduring voices.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Recruited Collier\u003c\/li\u003e\n\u003cli\u003eHandsome Molly\u003c\/li\u003e\n\u003cli\u003eMary Hamilton\u003c\/li\u003e\n\u003cli\u003eThe Grey Funnel Line\u003c\/li\u003e\n\u003cli\u003eDown Where the Drunkards Roll\u003c\/li\u003e\n\u003cli\u003eRuby Bridges\u003c\/li\u003e\n\u003cli\u003eVictor Jara\u003c\/li\u003e\n\u003cli\u003eSometimes I Feel Like Motherless Child (PRS Version)\u003c\/li\u003e\n\u003cli\u003eLove Never Dies\u003c\/li\u003e\n\u003cli\u003eHide\u003c\/li\u003e\n\u003cli\u003eWilliam\u003c\/li\u003e\n\u003cli\u003eToy Soldiers\u003c\/li\u003e\n\u003cli\u003eIcarus\u003c\/li\u003e\n\u003cli\u003eDon't Think Twice It's Alright\u003c\/li\u003e\n\u003cli\u003eSurvivor\u003c\/li\u003e\n\u003cli\u003eSometimes I Feel Like Motherless Child (Santa Monica Version)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 714822056144\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Topic Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Topic Records","offers":[{"title":"Default Title","offer_id":48473409257713,"sku":"714822056144","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/4531223-3677841.jpg?v=1785811711"},{"product_id":"pre-order-celine-moinet-concert-pour-paris-cd","title":"Pre-Order: Celine Moinet - Concert Pour Paris [CD]","description":"\u003cp\u003eRenowned oboist Celine Moinet releases her 5th album with Berlin Classics. The program features a virtuosic Baroque selection of oboe concertos, highlighting brilliance, elegance, and expressive depth, including concertos by Franz Xaver Richter, Jean-Marie Leclair, Alessandro Besozzi, and Carlo Besozzi. 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In 1986, he met Michael Romeo, a local progressive and classically influenced guitarist, whom he then recorded and played out in several bands with. In 1994, they formed Symphony X and recruited the rest of the band members to complete the lineup and sign with Japanese record label, Zero Records.After international critical acclaim for their albums Symphony X, Damnation Game, The Divine Wings Of Tragedy, Twilight In Olympus, and A Prelude To The New Millenium, they did various tour dates in Japan, Europe, and NYC. Shortly afterwards, due to personal issues, Thomas stepped away from the band.Continually writing and recording on various projects and honing his writing skills, Miller collaborated on a recording project with vocalist Hollywood How Portney in 2017, who had recorded with several local bands and labels including Megaforce Records. After interactions with fans over the years and realizing his chemistry with How, he decided to start writing for the LAZARUS EFFECT project.He then asked former bandmates Michael Romeo and Michael Pinnella to lend their recording talents to the project, and then Eric Rachel, producer of Symphony X's first six albums, to mix and master the album. 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Sourced from the original master tapes and housed in mini-LP-style packaging, Mobile Fidelity's numbered-edition hybrid SACD presents the 1977 benchmark in reference sound on disc. The presence, clarity, and detail of this reissue render in three-dimensional fashion the textures, nuances, tones, and effects critical to the music. Though Brian Eno butted heads with the band during the recording process, the merits of his production emerge like never before. The sonic treatments that turn Devo's keyboards into the equivalent of futuristic machines; the metallic effects and pointed sharpness of the percussion; the crispness of the arrangements; the herky-jerk motion of the singing; the stickiness of the bizarre time signatures: Q: Are We Not Men? A: We Are Devo! #comes across like a pointillistic painting seen up-close. 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What happens when the only intention is to play honestly?The answer was rhythm, sound and the expressive power of words.Together with young New Zealand singer, bassist and songwriter Amelie Spinks and American bassist River Adomeit, Lijbaart formed the band Sunflower. In it's music, his long-standing love of country, folk and Americana comes clearly to the surface-genres he had listened to for years but had never previously explored in a project of his own.The age difference between the three musicians (Spinks is 23, Adomeit 29 and Lijbaart 58) did not create distance. Instead, it became a source of inspiration, shaping the songwriting, the lyrics and the musical concept.Their collaboration brought back the excitement of first experiences: making music without routine and without predetermined roles.For Lijbaart, Sunflower also required a radical new approach to drumming. Much of what he had developed throughout his career, extended percussion, complex rhythms and technical virtuosity had no place in these songs. Instead, he searched for something more essential: rhythm, texture and expression through simplicity, finding exactly the right balance between instrumentation, lyrics and groove.The songs on Love Letters draw attention to the places where life may reveal itself most truthfully: in small gestures, in touch, in waiting and in care. They open up a world in which quiet actions carry more meaning than grand statements, and where silence and listening can lead to greater understanding and wisdom.At the heart of the album is the idea of equality not as a declaration, but as a way of being.In 'If I Was a Woman, ' Lijbaart consciously attempts to step into a perspective that is still too often overlooked within a patriarchal society. 'Eight Hands on a Black Cat' explores the strange contrast between the tangible, truthful experiences of domestic life and the noise and superficiality of the outside world.For Joost Lijbaart, Sunflower is not a side project, but a new artistic beginning: music made without protection, in which virtuosity no longer determines what should be said. 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Between two delivery routes, the songs slowly appeared - often recorded in a Dictaphone parked on the roadside.There he met Oliver Potratz (Shake Stew), whose double bass became the backbone of the record. Together they performed the songs in small cultural venues across the Béarn mountains before recording them. His childhood friend Julien Barbagallo (drummer with Tame Impala) will also be providing the rhythm section on two tracks from the album.With it's mix of minimal folk, jazz textures and surreal humor, Un Cambio de Perspectiva explores a simple idea: sometimes the world doesn't need to change - we just need a slight change of perspective.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDe Pierre Et de Buis\u003c\/li\u003e\n\u003cli\u003eMes Rêves\u003c\/li\u003e\n\u003cli\u003eCambio\u003c\/li\u003e\n\u003cli\u003eAutoportrait (Ma Non Troppo) Ft. 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The band's origins trace back totheir teenage years, when a shared passion for classic and vintagemusic brought them together. What began as informal late nighthard rock sessions in a small garage gradually evolved into themusical foundation that defines the band today. While performingon the Amsterdam live music circuit, the duo met Eszl de Vois, anestablished bass player in the underground psychedelic scene whosepassion for unconventional jazz fit the band like a glove.Heavily inspired by Emerson, Lake \u0026amp; Palmer, the band adoptedthe name \"\"Gates of Kiev,\"\" taken from the iconic piece featured onthe live album Pictures at an Exhibition. Taking further inspirationfrom the modern local garage and punk scene as well as the earlyyears of 70s prog bands, Gates of Kiev's live shows evolved into ahigh energy and intense performance. Loud, fast, and over the top.The band's songs are long and mostly instrumental. The lyricsthey do have cover both very personal struggles as societal topics,delivered in a whimsical and sometimes direct way. The dynamicsand atmosphere within the instrumental parts are closely tied to thethemes of the songs, trying to set a story without words.The album was mixed and mastered by White Willow's JacobHolm-Lupo in Norway. Cover art comes courtesy of Italian heavypsych illustrator Mont Doom.Gates Of Kiev is a progressive rock band founded inthe Netherlands by childhood friends, organist Tomas Mesmanand drummer Hessel Braat. The band's origins trace back totheir teenage years, when a shared passion for classic and vintagemusic brought them together. What began as informal late nighthard rock sessions in a small garage gradually evolved into themusical foundation that defines the band today. While performingon the Amsterdam live music circuit, the duo met Eszl de Vois, anestablished bass player in the underground psychedelic scene whosepassion for unconventional jazz fit the band like a glove.Heavily inspired by Emerson, Lake \u0026amp; Palmer, the band adoptedthe name \"\"Gates of Kiev,\"\" taken from the iconic piece featured onthe live album Pictures at an Exhibition. Taking further inspirationfrom the modern local garage and punk scene as well as the earlyyears of 70s prog bands, Gates of Kiev's live shows evolved into ahigh energy and intense performance. Loud, fast, and over the top.The band's songs are long and mostly instrumental. The lyricsthey do have cover both very personal struggles as societal topics,delivered in a whimsical and sometimes direct way. The dynamicsand atmosphere within the instrumental parts are closely tied to thethemes of the songs, trying to set a story without words.The album was mixed and mastered by White Willow's JacobHolm-Lupo in Norway. 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Written by Mike Paradinas in his late teens, it still stands up well today and it's influence on electronic music in the decades since is obvious.Taking influences from early Aphex, Detroit Techno and UK Hardcore, Mike created this spirited, lo-fi version of rave; with crunchy drums and a knack for melody that fell between John Barry and classic TV themes.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhale Soup\u003c\/li\u003e\n\u003cli\u003eXenith Filigree Anus (Edit)\u003c\/li\u003e\n\u003cli\u003eµ-Ziq Theme (Original)\u003c\/li\u003e\n\u003cli\u003eDriving Is Easy\u003c\/li\u003e\n\u003cli\u003eMethyl Albion\u003c\/li\u003e\n\u003cli\u003eAd Misericordiam (Remix)\u003c\/li\u003e\n\u003cli\u003eAuqeamb\u003c\/li\u003e\n\u003cli\u003eAmenida\u003c\/li\u003e\n\u003cli\u003eMucky Puppy\u003c\/li\u003e\n\u003cli\u003ePhi*1700 [u\/v] (Extended)\u003c\/li\u003e\n\u003cli\u003ePaco\u003c\/li\u003e\n\u003cli\u003eCrosstown Traffic\u003c\/li\u003e\n\u003cli\u003eXolbe 2\u003c\/li\u003e\n\u003cli\u003eRainforest\u003c\/li\u003e\n\u003cli\u003eGlink\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5056321683168\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Planet Mu\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Planet Mu","offers":[{"title":"Default Title","offer_id":48541342400753,"sku":"5056321683168","price":52.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/4532427-3682257.jpg?v=1786455055"},{"product_id":"pre-order-raphael-vanoli-ventschau-cd","title":"Pre-Order: Raphael Vanoli - Ventschau [CD]","description":"\u003cp\u003eVentschau is Raphael Vanoli's second solo album, following Bibrax. The album takes it's name from a small village in northern Germany where Vanoli stayed on writing retreats between 2018 and 2023. The forest, and long stretches of being alone in it, shaped how the music moves. Ventschau is an ode to that love of the forest - poetic and personal, with more room than before for melody, harmony, and song-like shapes. Mantra-like figures recur; on several pieces Vanoli sings softly into the strings, so breath, voice, and resonance carry as a single sound. At the core of the record are the \"\"blowing\"\" techniques Vanoli has been developing for years - sounds drawn from breath against the strings of a hyper amplified electric guitar, alongside the full range of artefacts and resonances such a guitar can be made to reveal, among them the voice itself, sung through the strings. This is the sound world of the instrument as he hears it, and it has kept opening since Bibrax. The spectrum of solo electric guitar widens further here as those techniques share the room with more conventional playing and a broader palette: a Fender Bass VI, a 12-string electric, and on one piece a steel-string acoustic.Some of the pieces lean into fragility and let it stay. Others are epic and densely detailed - wall-of-sound passages that move across the whole frequency range, from the high crispness of an insect world down to sub-low, earthquake-like rumble. All of it is made live, in real time, on a single guitar - which makes the comparison to a classical recital literal rather than figurative: technically, that's what it is.All the pieces are his, written across those five years, except \"\"Alti Plano,\"\" which draws on a traditional Bolivian melody. The record was made live to tape in May and August 2023 at Electric Monkey Studio in Zaandam, with Kasper Frenkel engineering. Almost everything is analogue, apart from a few pedals. 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