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Emmanuel Pahud is one of the few living flautists who can effortlessly bridge multiple genres, gliding seamlessly from the cinematic, historical weight of Prokofiev to the avant-garde spiritualism of Hosokawa and finally to the devastating, structural eulogy of Rouse. It is a testament to the fact that all great music, in it's boundless imagination, ultimately tells a deeply human story.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFlute Sonata in D Major, Op. 94: I. Moderato (Orch. Koncz)\u003c\/li\u003e\n\u003cli\u003eFlute Sonata in D Major, Op. 94: II. Presto (Orch. Koncz)\u003c\/li\u003e\n\u003cli\u003eFlute Sonata in D Major, Op. 94: III. Andante (Orch. Koncz)\u003c\/li\u003e\n\u003cli\u003eFlute Sonata in D Major, Op. 94: IV. Allegro con brio (Orch. Koncz)\u003c\/li\u003e\n\u003cli\u003eFlute Concerto: I. Ã€nhran\u003c\/li\u003e\n\u003cli\u003eFlute Concerto: II. 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Each song was dismantled, examined, and patiently reassembled, as though he were searching for a hidden key within it's architecture. Watching the process unfold was fascinating: revisiting, adjusting, starting again - until, little by little, the music settled into that delicate point of equilibrium where a familiar song suddenly feels new again. In this adventure, bassist Sylvain Romano and drummer Gautier Garrigue proved to be invaluable companions. They move through the music with natural elegance, bringing the kind of flexibility, listening, and conversational instinct that only the finest musicians possess. Their presence gives the music room to breathe, to stretch, and to swing freely.The question of the singer remained. For the five songs that feature vocals, the encounter with Christie Dashiell proved decisive. She brings a remarkable intensity and sincerity, allowing emotion to flow along it's most direct and luminous path. 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The music on this compilation is reinstated further from a visual perspective by an array of incredible images by famed punk photographer Edward Colver and lovingly designed to the level you would expect from a Futurismo release. This 2xLP comes in a choice of limited-edition colored vinyl: 'Bat Corpse', 'Splintered Tomb', and the Heartworm Press exclusive 'Heart Worm'. 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Newly Sentient Being features superb recordings of Swans' final concert of the \"\"Big Sound\"\" era, the apotheosis of 15 years of cosmic sonic expressionism, alternately heavenly and debased, visceral and transcendent. Recorded November 28, 2025 in Berlin. Over 2 Â½ hours of music, includes a wealth of new material never recorded elsewhere and a stunning DVD of the performance. NSB is up there with the best of Swans' legendary live records. They close this chapter with love and unbridled passion. \"\"Now I offer my praise to the righteous group of humans, the musicians that made our final foray into the sonic ether a reality: Norman Westberg, Dana Schechter, Phil Puleo, Larry Mullins, Kristof Hahn, Christopher Pravdica... and I was in there flailing somewhere too. \"\" - Michael Gira \/ Swans. 4xLP Gatefold + DVD\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSide 1: The End of Forgetting\u003c\/li\u003e\n\u003cli\u003eSide 2: The End of Forgetting (Continued)\u003c\/li\u003e\n\u003cli\u003eSide 3: The Merge\u003c\/li\u003e\n\u003cli\u003eSide 4: The Merge (Continued)\u003c\/li\u003e\n\u003cli\u003eSide 5: 1. Paradise Is Mine 2. 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This was a backlash against a culture in decay, bucking against a puritanical oppression brought on by the archaic social standards set by their parents. It was aggression manifested as gloom, it was a ceremony, the celebration of death. American Grave has been co-curated by Wesley Eisold (Cold Cave\/American Nightmare\/Heartworm Press) in collaboration with Futurismo head honcho Del Jae, to bring you a haunting track list ranging from the all-important integral mainstays of the genre to those rarer and more elusive artists, including many recordings that have never been reissued before on any format. Featuring the music of Christian Death, T.S.O.L., The Cramps, Of A Mesh, The Gun Club, Twisted Roots, Kommunity FK, The Brainz, Theatre Of Ice, Burning Image, Fur Bible, PSI Com, Shadow Of Fear, Super Heroines, 45 Grave and more. The music on this compilation is reinstated further from a visual perspective by an array of incredible images by famed punk photographer Edward Colver and lovingly designed to the level you would expect from a Futurismo release. This 2xLP comes in 'Splintered Tomb' vinyl. 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Produced by Randall Dunn (Anna von Hausswolff, Sunn O))), Marissa Nadler) and recorded between Iceland, New York and Berlin, the result is an oneiric world where enchantment and danger coexist.The successor to 2020s EP compilation \"\"Fascination\"\" (Reptile Music) and \"\"Oceans of Time\"\" (Sacred Bones, 2022), her collaboration with David Lynch's longtime sound designer Dean Hurley, \"\"The Lying Swans\"\" leads de Oliveira into new territories. Thematically as well as sonically, these nine songs seem to be stepping out of the misty realms of reverb and gauzy fuzz, displaying an earthier, more tactile and thereby vulnerable side. 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He was renowned for his phenomenal memory, razor-sharp baton technique, and precise, analytical interpretations of standard and contemporary repertoire. This 18CD set captures the brilliant versatility and stylistic breadth of Lorin Maazel across his complete recordings in the Warner Classics catalog. Spanning four decades of recording (1962 - 2002) the collection highlights Maazel's unique ability to draw exceptionally precise, vivid playing from the world's finest orchestras. It features monumental interpretations of late-Romantic symphonic cornerstones, including Bruckner's 7th and 8th Symphonies with the Berliner Philharmoniker, and iconic early recordings of Richard Strauss and Debussy \u0026amp; Ravel with the Philharmonia. There are collaborations with legendary soloists such as Sviatoslav Richter (Brahms, BartÃ³k, and Prokofiev), Emil Gilels (Tchaikovsky's complete piano concertos), and Frank Peter Zimmermann (Tchaikovsky and Prokofiev violin concertos). It also includes landmark complete operas, notably Verdi's Otello from the soundtrack of Franco Zeffirelli's acclaimed film, and Bizet's Carmen, both featuring PlÃ¡cido Domingo. Showcases the historic world-premiere recording on Nonesuch of John Adams' On the Transmigration of Souls with the New York Phil, which swept three Grammys in 2005.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 7 in E Major, WAB 107: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in C Minor, WAB 108: I. Allegro moderato (1890 Nowak Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in C Minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Langsam (1890 Nowak Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in C Minor, WAB 108: III. Adagio. Feierlich langsam, doch nicht schleppend (Nowak 1890 Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in C Minor, WAB 108: IV. Finale. Feierlich, nicht schnell (1890 Nowak Version)\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-Flat Major, Op. 83: I. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-Flat Major, Op. 83: II. Allegro appassionato\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-Flat Major, Op. 83: III. Andante\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-Flat Major, Op. 83: IV. Allegretto grazioso\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice - Prestissimo\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in G Major, Op. 44: I. Allegro brillante e molto vivace\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in G Major, Op. 44: II. Andante non troppo\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in G Major, Op. 44: III. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 3 in E flat, Op. 75 (1995 Remastered Version): Allegro brillante - Cadenza - Tempo I - Vivacissimo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 35: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 35: II. Canzonetta. Andante\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 35: III. Finale. Allegro vivacissimo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: I. Andantino\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: III. Moderato\u003c\/li\u003e\n\u003cli\u003e8 Slavonic Dances, Op. 46, B. 83: Nos. 1-8\u003c\/li\u003e\n\u003cli\u003e8 Slavonic Dances, Op. 72, B. 147: Nos. 9-16\u003c\/li\u003e\n\u003cli\u003ePrÃ©lude Ã  lâ€™aprÃ¨s-midi dâ€™un faune, CD 87, L. 86\u003c\/li\u003e\n\u003cli\u003ePictures at an Exhibition (Orch. Ravel): Complete\u003c\/li\u003e\n\u003cli\u003eAlso sprach Zarathustra, Op. 30: I-XI\u003c\/li\u003e\n\u003cli\u003eTill Eulenspiegels lustige Streiche, Op. 28\u003c\/li\u003e\n\u003cli\u003eBolÃ©ro, M. 81\u003c\/li\u003e\n\u003cli\u003ePavane pour une infante dÃ©funte, M. 19 (Orchestral Version)\u003c\/li\u003e\n\u003cli\u003eMiroirs, M. 43: IV. Alborada del Gracioso\u003c\/li\u003e\n\u003cli\u003eLa Valse, M. 72\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in G Major, M. 83: I. Allegramente\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in G Major, M. 83: II. Adagio assai\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in G Major, M. 83: III. Presto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto for the Left Hand in D Major, M. 82\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2, Sz. 95: I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2, Sz. 95: II. Adagio - Presto - Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2, Sz. 95: III. Allegro molto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in G Major, Op. 55: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in G Major, Op. 55: II. Moderato ben accentuato\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in G Major, Op. 55: III. Toccata (Allegro con fuoco)\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in G Major, Op. 55: IV. Larghetto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in G Major, Op. 55: V. 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Artillery remains at the forefront of the global ThrashElite and this limited 7inch picture vinyl proves they are still leading the pack.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChaos Ride\u003c\/li\u003e\n\u003cli\u003eThrasher\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4262428985024\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Gds\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 7\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Gds","offers":[{"title":"Default Title","offer_id":48473405456625,"sku":"4262428985024","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/4518327-3682930.jpg?v=1785850596"}],"url":"https:\/\/outofthepastrecords.com\/collections\/bt-release-2026-11-06.oembed","provider":"Out of the Past Records","version":"1.0","type":"link"}