{"title":"* new_releases","description":null,"products":[{"product_id":"pre-order-vince-guaraldi-a-charlie-brown-thanksgiving-rsd-essentials-indie-exclusive-pink-jelly-bean","title":"Vince Guaraldi - A Charlie Brown Thanksgiving [RSD Essentials Indie Exclusive Pink Jelly Bean]","description":"\u003cp\u003eVince Guaraldiâ€™s score for â€œA Charlie Brown Thanksgiving\" came out for the first time ever for the specialâ€™s 50thanniversary and charted as a top Jazz, soundtrack and childrenâ€™s album upon its release, selling out all available copies. The complete soundtrack to the celebrated animated holiday television special, written and created by Charles Schulz, directed by Bill Melendez and Phil Roman and produced by Melendez and Lee Mendelson, includes the long-awaited release of many of Guaraldiâ€™s classic compositions and performances along with never-before-heard bonus material.\u003c\/p\u003e\u003cp\u003eNewly re-discovered in LMFPâ€™s vaults, the original recording sessions for Vince Guaraldi's beloved soundtrack have been remixed and remastered for audiophiles and PeanutsÂ® fans everywhere. The album includes many previously unreleased tracks, several never heard since the Vince Guaraldi Quintet laid them down for the recording session in 1973. All the songs were remastered from the original 2\" 16 track source tapes.\u003c\/p\u003e\u003cp\u003eThis soundtrack from the 1973 holiday classic includes Guaraldi hits from the original sources like the funky brass filled \"Linus and Lucy,\" \"Thanksgiving Theme,\" and the soulful \"Little Birdie.\" You will hear timbres from instruments that were previously buried in the show mix. Furthermore, there are bonus tracks for \"Thanksgiving Interlude\" demonstrating how Guaraldi crafted his score for the special; an additional keyboard on \"Linus and Lucy;\" and Guaraldi whistling the melody for \"Is It James or Charlie?\"\u003c\/p\u003e\u003cp\u003eBeyond the composer's piano playing, the quintet is made up of Mike Clark on drums; Seward McCain (longest touring bassist with Guaraldi - holding down the electric bass at Guaraldi's request); Tom Harrell on trumpet to class up the album; and Chuck Bennett on Trombone. This is some of the funkiest Guaraldi you'll hear as his quintet leaned into the East Bay Sound, a type of funk that Mike Clark helped pioneer in the early â€™70s. Guaraldi even lends his bluesy voice to introduce Woodstock with \"Little Birdie.\" The album was remix engineered by Terry Carleton, restored and mastered by Vinson Hudson, and produced by Sean and Jason Mendelson. All versions include liner notes by Sean Mendelson and artwork from the original special. 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The title says it all: the songs are candid, personal, and lived-in, delivered with lead singer and songwriter Nick Hodgson's sharp humor and a big-chorus instinct.\u003c\/p\u003e\r\n\u003cp\u003eFunny Cos It's True is an 11-track collection of intoxicating indie-pop. Following the band's acclaimed self-titled debut album in 2024, the record finds them firmly stepping into their sound. Layered with a hazy retro feel while sounding distinctly fresh, the album rediscovers and reinvents classic influences with a heavy dose of infectiously anthemic choruses and a knack for lustrous songwriting. Lyrically, the album searches deep and resonates on an emotional level, with songs written from the perspective of a parent to his young daughter, as well as a son following the death of his own father from Alzheimer's disease.\u003c\/p\u003e\r\n\u003cp\u003eSonically, the band occupy a lustrous retro-futurist lane, blending classic textures and warm psych-pop sheen. 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Originally released in 1988, Danzig I stands as one of the most ferocious and captivating albums in hard rock history, blending Glenn Danzig's soulful, baritone vocals with bone-crushing riffs and dark, brooding atmosphere. This 12-inch LP pressing is a must-have for any serious vinyl collector, offering the full album experience on a bold white colored vinyl variant that looks as powerful as it sounds. The record spans ten tracks of pure intensity, opening with the menacing Twist Of Cain and the brooding Not Of This World before building to the iconic She Rides and the fan-favorite Am I Demon. Side B delivers one of rock's most enduring anthems in Mother, alongside deep cuts like Possession, End Of Time, and Evil Thing that showcase the band's raw, unrelenting energy. Danzig I is more than an album, it is a landmark recording that defined an era and continues to captivate listeners decades later. 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'New Promise Land Incorporated' deftly marks the new era for the band, rejoicing the reconnection of five musical soulmates and bringing what fans crave the most to record: an explosion of raw soul and a live-to-record energy so palpable that it feels as though you're right in the studio.The record is a celebration of the power that this British outfit bring to the stage: be it masterfully creating a rock'n'roll rush so electric that you feel it pulsing through to the tips of your hairs (as in the psychedelic-tinged \"\"Shadows\"\") or writing with poignant beauty that brings pin-drop serenity to the most chaotic of minds (see the tender charm of \"\"Mongrels\"\" and the lyrically stunning \"\"Saving Grace\"\").And with a 21-date tour to follow soon after the album's release, the rousing spirit of 'New Promise Land Incorporated' is set to resound far and wide.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShadows\u003c\/li\u003e\n\u003cli\u003eEat You Alive\u003c\/li\u003e\n\u003cli\u003eSilverlight Blues\u003c\/li\u003e\n\u003cli\u003eLove Kicks\u003c\/li\u003e\n\u003cli\u003eScars\u003c\/li\u003e\n\u003cli\u003eMongrels\u003c\/li\u003e\n\u003cli\u003eHometown Kings ; Queens\u003c\/li\u003e\n\u003cli\u003eAlways Been Love\u003c\/li\u003e\n\u003cli\u003eSaving Grace\u003c\/li\u003e\n\u003cli\u003eLet It All Out\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5055006574258\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Earache Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.9.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Earache Records","offers":[{"title":"Default Title","offer_id":48368495853809,"sku":"5055006574258","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/4521819-3616822.jpg?v=1782976898"},{"product_id":"pre-order-bodega-all-inside-aquarium-indie-exclusive-transparent-green","title":"Bodega - All Inside Aquarium [Indie Exclusive Transparent Green]","description":"\u003cp\u003eBODEGA’s upcoming brand-new album ‘All Inside Aquarium’ sees the band expanding far beyond their minimalist post-punk origins towards soaring anthemic rock, sans the ‘indie’. The group’s goal was, “Let’s go back to melodic tunes, let’s be more of a proper rock band,” Hozie explains. Sonically, the band aimed for “this late ’80’s\/early 90’s\u003cbr\u003eStone Roses-meets-Janes Addiction thing, with more riffing and guitar solos.” Where the band’s earlier material took a more explicitly sociopolitical bent, Hozie and Belfilgio’s writing on ‘All Inside Aquarium’ is deliberately more concerned with the personal, poetics, and play. \u003c\/p\u003e\r\n\u003cp\u003eWith each single from the album, the band have created a limited edition 7” singles series. Each 7” has a unique colour and individual exclusive artwork that corresponds to a section of the ‘All Inside Aquarium’ album cover designed by Nikki. BODEGA, passionate defenders of the lost art of curating B-sides, made sure that each disc comes with an exclusive B-side track that’s not available digitally, or on the album. 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