{"title":"Blues","description":"","products":[{"product_id":"pre-order-johnny-winter-johnny-winter-180-gram-vinyl","title":"Pre-Order: Johnny Winter - Johnny Winter [180 Gram Vinyl]","description":"\u003cp\u003eWhen an international weekly magazine calls a musician \"the white pope of black art\", then it sounds suspiciously like charitableness towards a blues musician in his prime, whose good years are in the past. As if! In the case of Johnny Winter, the reviews of his 2011 tour were just as glowing as in his early years, when Rolling Stone magazine described the gaunt Mississippi bard as \"a cross-eyed albino with long fleecy hair playing some of the gutsiest fluid blues guitar you have ever heard\". Intentional or not: Winter was able to win for himself some of the 'rocker' laurels that were reserved for the young Eric Clapton and Jimi Hendrix. But Winter let everyone know that he was only interested in the blues, gutsy, evoking Howlin' Wolf's and Muddy Waters' growling groove, yet nimble-fingered enough on the strings to conjure up astoundingly sleek garlands of sound that fit precisely into each bar of music.Winter remains pretty cool when people attempt to identify personal afflictions in his music: -»When I play blues, I feel good-« he stated recently to a journalist. That the same goes for over 40 years ago is substantiated by both sides of this debut album..\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Yours and I'm Hers\u003c\/li\u003e\n\u003cli\u003eBe Careful with a Fool\u003c\/li\u003e\n\u003cli\u003eDallas\u003c\/li\u003e\n\u003cli\u003eMean Mistreater\u003c\/li\u003e\n\u003cli\u003eLeland Mississippi Blues\u003c\/li\u003e\n\u003cli\u003eGood Morning Little School Girl\u003c\/li\u003e\n\u003cli\u003eWhen You Got a Good Friend 3:30\u003c\/li\u003e\n\u003cli\u003eI'll Drown in My Tears\u003c\/li\u003e\n\u003cli\u003eBack Door Friend\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019714138\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368489267441,"sku":"4260019714138","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2293130.jpg?v=1782976838"},{"product_id":"pre-order-buddy-guy-wells-junior-play-the-blues-180-gram-remastered","title":"Pre-Order: Buddy Guy \/ Wells,Junior - Play The Blues [180 Gram] [Remastered]","description":"\u003cp\u003eThe blues is perhaps one of the most private things from which a human being can suffer. However, to play the blues, and thus to express a man's innermost feelings and state of mind, is probably the most important task of black music. With Buddy Guy and Junior Wells, we have two disciples from the world of the blues who express their highly personal blues with profound instrumental proficiency. The enormously talented, self-taught guitarist Buddy Guy was ranked 23rd in Rolling Stones magazine's list \"100 Greatest Guitarists of All Time\", and several times he was awarded one of the coveted Grammy awards. Junior Wells entered Muddy Waters' 'academy' at the tender age of 18 and played the blues harp with enormous passion and virtuosity. In this recording, the musicians condense their rock playing over a bone-dry bass line to create a mantra-like funky style ('A Man Of Many Words'), passing on with fleet-footed steps to a slender chirping sound on the mandolin with a 12-bar blues construction and creating an earthy groove ('T-Bone Shuffle'). Then the duo works perseveringly on an unrelenting chord ('A Poor Man's Plea'), only to return to two numbers that pulsate forcefully with a snappy and jagged offbeat ('This Old Fool'). The handpicked band, among them being co-producer Eric Clapton who is eternalized on the rhythm and bottleneck guitar, and the voodoo rocker Dr. John who occasionally contributes his magic on the keyboard, make this album a truly collectible sound experience. This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www. Pure-analogue. #com. All royalties and mechanical rights have been paid. 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Some, like the author Jacques Demêtre called the musician from Mississippi » the rawest and African of all blues players from a musical point of view«, while the critic Net Hentoff was awestruck by Hooker's unfiltered power of expression that could scare the pants off a listener taken unawares. The numbers on this LP bear witness to the fact that Hooker's musical language could stir one's emotions deeply, even without the meaty 'boom boom'. Each title is like a raw diamond, which is intentionally uncut and is to be perceived with directness. With a stutter and a slur in his speech, the singer declaims his song over a twangy guitar, which is driven along by the rhythmic meter. A final farewell is taken sluggishly and sullenly in the forthright text of 'You Lost A Good Man', and even a song without words ('Misbelieving Baby') ponders a question in a purely instrumental monologue. Apart from a dash of boogie ('Pouring Down Rain') Hooker avoids all manner of sweet sounds and harmonies. He remains austerely raw, mercilessly honest, occasionally unforgiving and denies all thoughts of any kind regarding going 'back to the roots'. 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Only when the time, place, and audience play along, when one's lucky star is shining brightly, and the musicians have a good day, then one of music's great moments might be captured on tape. Not forgetting the recording technicians who also have to be in the mood! In 1968 this all happened to be the case with the majority of the nine numbers on the Columbia LP: \"\"Season Of The Witch\"\" (written by Donovan) in it's present version is one of them, as well as \"\"You Don't Love Me\"\" and the Dylan classic \"\"It Takes A Lot To Laugh, It Takes A Train To Cry\"\". All in all, one must consider the numbers with Steve Stills as most successful in the sense of a session because here each musician inspires the others. In the super session with Kooper and Bloomfield, the guitarist stands in the limelight while the other musicians back him up.Very often the three soloists even surpass the greatest moments of their own groups (Al Kooper's Blood, Sweat \u0026amp; Tears; Mike Bloomfield's Electric Flag; Steven Stills's Buffalo Springfield). In 1968 the magazine Rolling Stone judged this album to be one of the best releases of the year: an accolade which is completely justified and is still valid to this day. What better reason to get your copy of this \"\"highly recommended\"\" album without delay..\"\" Production: Al Kooper.\"\" \"\"Super Session\"\" - Mike Bloomfield, Steven Stills (el-g); Al Kooper (p, org, voc, g, el-g); Barry Goldberg (el-p); Harvey Brooks (b); Eddie Hoh (dr), a.o..\"\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAlbert's Shuffle\u003c\/li\u003e\n\u003cli\u003eStop\u003c\/li\u003e\n\u003cli\u003eMan's Temptation\u003c\/li\u003e\n\u003cli\u003eHis Holy Modal Majesty\u003c\/li\u003e\n\u003cli\u003eReally\u003c\/li\u003e\n\u003cli\u003eIt Takes a Lot to Laugh, It Takes a Train to CR\u003c\/li\u003e\n\u003cli\u003eSeason of the Witch\u003c\/li\u003e\n\u003cli\u003eYou Don't Love Me\u003c\/li\u003e\n\u003cli\u003eHarvey's Tune\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019713308\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":48368490676465,"sku":"4260019713308","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4401\/5345\/files\/2292955.jpg?v=1782976853"},{"product_id":"pre-order-little-milton-were-gonna-make-it-acoustic-sounds-uk-lp","title":"Little Milton - We're Gonna Make It (Acoustic Sounds) (Uk) [LP]","description":"\u003cp\u003eLittle Milton brought the emotional depth of the blues and modern sound of soul together with remarkable power on his 1965 album, We're Gonna Make It. After joining Chess Records through it's Checker imprint in the early '60s, the Mississippi-born guitarist and singer-songwriter revitalized the label with a new sound. The title track, an anthem for the growing civil rights movement, topped the R\u0026amp;B chart for 3 weeks straight. The album showcases Milton's vocal control and expert phrasing which defined his crossover success. Highlights include, \"\"Who's Cheating Who?\"\" \"\"Blind Man,\"\" and \"\"Stand By Me.\"\" Bring home the sound of America's greatest blues label in high fidelity with the Chess Records Acoustic Sounds Series. These audiophile reissues of classic albums and compilations from the Chess discography are remastered from the original analog tapes and pressed on 180-gram vinyl at Quality Record Pressings (QRP). 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King's Blues Summit 100 [180g]","description":"\u003cp\u003eThis groundbreaking project celebrates the centennial birthday of B.B. King, honoring his monumental legacy with a one-of-a-kind Collaboration Album. The album will feature a double album worth of curated tracks of B.B. King's most iconic songs, recorded\/tracked by Blues Rock Icon Joe Bonamassa and his all-star band, with production led by 2-time Grammy-nominated producers Joe Bonamassa and Josh Smith. The reimagined tracks will include a stellar lineup of guest musicians from both contemporary and legacy backgrounds that will unite multiple generations and genres to pay tribute to the King of Blues with 32 tracks and including 40 special guests!\u003c\/p\u003e\u003cp\u003eWorking directly with B.B. King’s estate, this project is deeply personal to Joe, reflecting his lifelong admiration for B.B. and the profound impact B.B. had on his career and life. Joe’s connection with B.B. began in 1989 when, as a 12-year-old prodigy, he had the life-changing opportunity to open for Mr. King. Over the years, their friendship grew as they toured together on dozens of occasions, cementing a bond that Joe cherishes to this day.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePaying the Cost to Be the Boss (FT. Christone \u0026amp;quot;Kingfish\u0026amp;quot; Ingram)\u003c\/li\u003e\n\u003cli\u003eDon't Answer the Door (FT. Marcus King)\u003c\/li\u003e\n\u003cli\u003eTo Know You Is to Love You (FT. Michael McDonald, Susan Tedeschi, Derek Trucks)\u003c\/li\u003e\n\u003cli\u003eLet the Good Times Roll (FT. Kenny Wayne Shepherd, Noah Hunt)\u003c\/li\u003e\n\u003cli\u003eSweet Little Angel (FT. Buddy Guy)\u003c\/li\u003e\n\u003cli\u003eWhen It All Comes Down (I'll Still Be Around) (FT. 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